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Word: rubbers (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...third wedding, Phillip discovers "flubber" (flying rubber) and leaves his fiance at the altar once again. The film has the formula villain in Wilson Croft (Christopher McDonald) who not only wants to steal Brainard's goo, but also to capture the heart of his fiance. The predictable storyline is set up--Phillip must get back his girl, keep his hands on the gooey slime, and take on the villainous Croft...

Author: By Soman S. Chainani, CONTRIBUTING WRITER | Title: Flubberiffic!: Attack of the Green Goo | 12/5/1997 | See Source »

...Eternity. (The 12th is Sinatra's birthday.) But if the sight of nation against nation leaves you cold, get topical with The Basketball Diaries (1995). It's said to have instructed that loon in Kentucky exactly how to shoot a bunch of your classmates. But high-schoolers, please: use rubber bullets. Happy viewing...

Author: /time Magazine | Title: Potato Harbor | 12/5/1997 | See Source »

...times, the Beatles resemblance becomes almost too much to handle. "We'll Come to Be" sounds like it's a lost track from Rubber Soul and "Coda" is right off Sgt. Pepper's Lonely Hearts' Club Band. Lead singer Schneider's voice is eerily like a combination of Lennon and McCartney. Songs like "Find Our Way" use muted horn and string parts a la Beatles classics such as "Got to Get You Into My Life." Let us not forget that Apple was the name of the Beatles' record company. Coincidence? You make the call. But the Beatles aren...

Author: By Josiah J. Madigan, CONTRIBUTING WRITER | Title: Apples Joyfully Hop on Beatles Bandwagon | 11/21/1997 | See Source »

Fans of Mr. Bean's TV persona are bound to be dismayed by his disappointing foray into cinema. With his trademark goofy physical antics and rubber-like face, Rowan Atkinson almost--but doesn't quite--save this movie from its dumb comedy paraphernalia...

Author: By Jonathan B. Dinerstein, | Title: Bean | 11/21/1997 | See Source »

...example, in one of the least flashy but most striking numbers of the show, tuned lengths of rubber tubing appear in the performers' hands. To throw pitch into the mix, each time a dancer lands from one of his prodigious leaps, the ungainly lengths of rubber tubing strikes a haunting note against the stage floor--the dance as a whole creates a melody. The effect is startlingly beautiful--it's a little watching Tom Hanks dancing on the giant floor piano in Big, except infinitely less chessy and more thrilling...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: Eat This, Michael Flatley: 'Stomp' Rolls In | 11/14/1997 | See Source »

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