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Though history does not record how other Venetian painters felt about competing with Titian, it cannot have been easy for them. Especially not for Tintoretto, a genius of the first rank, whom Titian's longevity compelled always to be a runner-up. Titian's work, so masterly in its effects...

Author: /time Magazine | Title: Art: Brush With Genius | 4/12/1993 | See Source »

UNLIKE RUBENS, REMBRANDT was not particularly scrupulous about saying which pictures were entirely by him and which were done in part by assistants, and the result -- coupled with the fact that when his reputation recovered from its short eclipse after his death, everyone who owned a brown luminous 17th century...

Author: /time Magazine | Title: Art: Really Rembrandt? | 5/25/1992 | See Source »

The original Popsters may not have been great artists or even uniformly good ones, but they were Rubens and Poussin compared with these Derrida-spouting midgets. And if the graft of Conceptualism onto Pop has produced so little, it is only because the landscape of mass media presents no challenges...

Author: /time Magazine | Title: Art: Wallowing in The Mass Media Sea | 10/28/1991 | See Source »

Before his death, Hammer claimed the collection was worth $450 million, but most of it is junk: a mishmash of second- or third-rate work by famous names. The Rembrandt Juno is one of his weakest paintings -- large, flat and gross. The Rubens Adoration of the Shepherds may not be...

Author: /time Magazine | Title: Art: America's Vainest Museum | 1/28/1991 | See Source »

Van Dyck was truly a painter's painter. There is nothing intimidating about his work, as there often is about Rubens'. He loved private character and painted the interplay between that character and the public mask with a sensitivity that few artists have rivaled since. Sometimes he would seem to...

Author: /time Magazine | Title: Art: A Meteor That Didn't Burn Out | 1/14/1991 | See Source »

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