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A child prodigy at 14, a full professional by his early 20s and dead at 42, Van Dyck had one of those careers that is conventionally dubbed meteoric -- except that it did not burn out. His name has lasted three centuries. Which is not to say that he has altogether...

Author: /time Magazine | Title: Art: A Meteor That Didn't Burn Out | 1/14/1991 | See Source »

Van Dyck covered a lot of territory in his short life. He was Rubens' most gifted assistant in Antwerp, and his early ability to reproduce the style of his idol has led to prolonged squabbles over the attribution of some of his early paintings. What they leave no doubt of...

Author: /time Magazine | Title: Art: A Meteor That Didn't Burn Out | 1/14/1991 | See Source »

In Washington one gets a full sense of his range, which was very large, from formal to intimate portraiture, from state commemoration to religious allegory. His big religious paintings, mostly for Flemish churches, are bravura performances, but none of them have the trumpeting conviction or the sheer inventiveness of Rubens...

Author: /time Magazine | Title: Art: A Meteor That Didn't Burn Out | 1/14/1991 | See Source »

PAINTINGS IN THE HERMITAGE by Colin Eisler (Stewart, Tabori & Chang; $85). Catherine the Great started it. She acquired important paintings, and her collection became the nucleus of the Leningrad museum. Velasquez, Rubens, Rembrandt, Van Gogh, Picasso: no visitor has seen all that is pictured here; the book itself amounts to...

Author: /time Magazine | Title: Books: Deck The Halls with Sumptuous Volumes | 12/17/1990 | See Source »

ANTHONY VAN DYCK, National Gallery of Art, Washington. Child prodigy, assistant to Rubens, Van Dyck rose to become a major artistic force in 17th century Europe and a potent influence on painters in the 18th century and beyond. Here are more than 100 examples of his bold virtuosity in portraits...

Author: /time Magazine | Title: Critics' Voices: Dec. 3, 1990 | 12/3/1990 | See Source »

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