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"Do we admire? Not always. Can we remain unmoved? Scarcely ever." The 19th century critic Eugène Fromentin's remark is still true of most reactions to Sir Peter Paul Rubens, the unrivaled master of 17th century Baroque painting. The austerities of modern art have taught us to...

Author: /time Magazine | Title: Art: Rubens, the Grand Inseminator | 2/10/1975 | See Source »

Taken chronologically, the drawings could be read as a footnote to the history of the decay of the Safavi dynasty. Riza joined the royal atelier soon after Shah Abbas ascended the throne. His earliest drawings are delicate, strongly traditional, and faintly wistful, obviously the work of a young prodigy. Later...

Author: By Mary Scott, | Title: Art of the Mirage | 1/25/1974 | See Source »

Picasso's wealth created a flamboyant archetype of success that has affected every creative life for the worse, though nobody expects to be as rich as Picasso. Not even the conspicuous earners of the past, like Rubens or Titian, made that kind of money. Thus out of the production...

Author: /time Magazine | Title: Art: Pablo Picasso:The Painter as Proteus | 4/23/1973 | See Source »

The dream of antiquity becomes concrete in De Chirico's later work, and all his efforts are posited on the belief that somehow it can be given life -if not by talent, then by sheer will. De Chirico's self-magniloquent portraits in armor and 17th century lace...

Author: /time Magazine | Title: Art: Looking Backward | 1/24/1972 | See Source »

How Modern? But whether Picasso's reputation will survive in its present form is an open question. Sir Anthony Blunt, one of England's leading art historians, flatly declares that "Picasso is no longer a modern painter," and that "after 1945, he ceased to hold the leading position...

Author: /time Magazine | Title: Art: Anatomy of a Minotaur | 11/1/1971 | See Source »

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