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Marble from Melos. The Louvre treasures that visitors see today represent the titanic effort made to recoup from the post-Waterloo low point. Rubens paintings from the Luxembourg palace were brought in to fill the gaps; French archaeologists sent back to the Louvre whole collections of Egyptian and Assyrian art...

Author: /time Magazine | Title: Art: Masterpieces of the Louvre: Part I | 6/30/1958 | See Source »

Two Nudes by Rubens. The Larkins are seasonal strawberry pickers, and their way of life might be called Rabelaissezfaire. When Pop vents his heroic belches, he sounds like Charles Laughton playing Henry VIII. Pop is little seen in the strawberry fields, for he roams the countryside on a spivishly freewheeling...

Author: /time Magazine | Title: Books: British Funhouse | 5/26/1958 | See Source »

In the Easter story. Van Dyck chose to depict the high moment of treachery when Judas kisses Jesus, betraying his identity to the onrushing soldiers and servants of Jerusalem's chief priests and elders. For Van Dyck, who was Peter Paul Rubens' favorite pupil, such a scene of...

Author: /time Magazine | Title: Art: MOMENT OF TREACHERY | 4/7/1958 | See Source »

Van Dyck himself seems to have been aware of these defects. When Rubens so admired the Betrayal that he asked Van Dyck to make a larger version, Van Dyck repositioned Malchus and remolded Judas' cloak. The results so pleased Philip IV of Spain that, after Rubens' death, he...

Author: /time Magazine | Title: Art: MOMENT OF TREACHERY | 4/7/1958 | See Source »

For those who liked romantic landscapes, Thomas Gainsborough borrowed the techniques of Rubens, but filled his canvases not with figures from Olympian allegory but the workaday life of English villages, to create a kind of Arcadia with a British accent. George Stubbs, Britain's finest horse painter, turned out...

Author: /time Magazine | Title: Art: MASTERPIECES OF BRITISH PAINTING | 12/9/1957 | See Source »

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