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Few men in history have struck a happier balance with their age or won richer rewards in return than Flemish Artist Peter Paul Rubens, master of Europe's baroque style at its 17th century peak. A staunch Roman Catholic, unquestioning Royalist, shrewd businessman, Rubens was both a spectacularly successful...

Author: /time Magazine | Title: Art: Painter Diplomat | 4/9/1956 | See Source »

Rubens' own confidently drawn self-characterization found few dissenters in his day or since. Of himself as an artist

Author: /time Magazine | Title: Art: Painter Diplomat | 4/9/1956 | See Source »

Rubens once remarked: "My talent is such that no undertaking, however vast or various, has ever surpassed my courage." Of himself as a diplomat: "I assure you that in public affairs I am the most dispassionate man in the world, except where my property and person are concerned ... I regard...

Author: /time Magazine | Title: Art: Painter Diplomat | 4/9/1956 | See Source »

Price: $885,000. After an hour's stormy debate, enlivened by some outraged oratory (the price "represents about 650,000 bushels of wheat, or 6,000 grain-fed steers"), Parliament agreed to pick up the tab for Rubens' The Entombment of Christ, Martini's St. Catherine and...

Author: /time Magazine | Title: Art: The Market | 4/2/1956 | See Source »

The triumph of Richard is the triumph of sheer mummery-though inevitably the applause will not go to all the actors in equal measure. The women are excellent. Claire Bloom, as Richard's wife, has no choice but to portray a pallid case of hemi-Ophelia, but her softness...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 12, 1956 | 3/12/1956 | See Source »

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