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...announced the disengagement of her daughter, heartbreaking Cinemactress Zsa Zsa Gabor, from heartbreaking Dominican Playboy Porfirio Rubirosa, freshly disengaged from his fourth wife, Five and Dime Heiress Barbara Hutton. In tragic tones, Mama Gabor explained: "In Paris now they are having their last farewell. She can't marry Rubi, the darling boy, because he's so jealous." Then Mama grew more plausible: "Zsa Zsa will be a very big shot in Hollywood and in television. She would have to give that up to marry Rubi." Earlier in the week, Zsa Zsa (exwife of Turkish Bureaucrat Burhan Beige. Hotelman...

Author: /time Magazine | Title: People, may 16, 1955 | 5/16/1955 | See Source »

From Hollywood, garrulous Cinemactress Zsa Zsa Gabor issued one of her regular reports on her pillar-to-post romance with closemouthed Dominican Playboy Porfirio Rubirosa, now listlessly awaiting a Dominican divorce from his fourth wife, Five & Dime Heiress Barbara Mutton. "He is screaming about my career," screamed Zsa Zsa. "Rubi has forced me to choose between him and my career. And now it looks like I'll have to choose my acting . . . I'm in too much of a hurry to become a top actress." Every once in a while, also complained Zsa Zsa, Rubirosa's easygoing...

Author: /time Magazine | Title: People, Mar. 21, 1955 | 3/21/1955 | See Source »

Devil-may-care Porfirio Rubirosa and his current great & good friend, Cinemactress Zsa Zsa Gabor, showed up in Hollywood to start a horse opera called The Western Affair, an epic calculated to display polo-playing Rubirosa's short-in-the-saddle talents. But when Rubi, relishing his prospective role as a two-gun saloonkeeper, sashayed up to the immigration office to apply for a work permit the federals turned down his request. Their ostensible reason: Rubi, though surely one of the greatest amateur thespians of his age, is not a professional actor. Wailed Zsa Zsa: "It just...

Author: /time Magazine | Title: People, Aug. 2, 1954 | 8/2/1954 | See Source »

...Crown of Nothing. These hopes blasted too, Rubião decides that he has had enough of reality. He takes to sulking at home and dining a crew of worthless pickthanks who steal his cigars and tell him what he wants to hear. After some months of "conversing with his buttons," he begins to get peculiar notions. One day he buys a bust of Napoleon and another of Louis Napoleon. Pretty soon he has his beard barbered like Louis Napoleon's. "Wait," he murmurs to Sophia, "I shall still make you Empress." His cronies become marshals, his hens pheasants...

Author: /time Magazine | Title: Books: Tatters of Reality | 7/26/1954 | See Source »

...that the reader must assemble them as he can. The symbolism of the dog with the same name as his late master is soggy, and gets worked for more than it is worth-Machado seems to be saying that along with the old man's money and dog, Rubião inherited his fatuity. Still, as the author says at one point in the book, "It's quite an accomplishment, after all, just to put together the tatters of reality...

Author: /time Magazine | Title: Books: Tatters of Reality | 7/26/1954 | See Source »

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