Word: rubins
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Dates: during 1960-1969
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...years ago, young Songwriters Charlie Koppelman and Don Rubin were working for a Manhattan music publisher for $25 a week. It wasn't much, but then, as Koppelman says, "We really weren't that good as songwriters." After a while, they prudently turned to publishing other composers' songs, and eventually went on to produce recordings of those songs. Last week, after having turned out a string of 17 gold-record hits (sales of a million copies) by such performers as The Lovin' Spoonful, Bobby Darin and The Turtles, Koppelman, 28, and Rubin, 29, sold out their...
Flourishing as their recording ventures may be, most of the new producers are already restlessly expanding to other fields. In what appears to be the major trend, Crewe is moving into the production of television specials and films, and Koppelman and Rubin are preparing a musical series for network TV next fall. Morton also plans to make television shows, publish a sex magazine and, he adds, become a movie actor. Among other things, these departures may be a hedge against the danger that grows with every year that a producer ages: "cooling," or losing the golden touch...
...Museum of Modern Art last week put on view ten scale models, sketches and photomontages by the Bulgarian-born artist Christo, who set out to show what the museum would look like if its building were wrapped in canvas and tied up with rope. Museum Curator William S. Rubin found Christo's ideas, with or without the rope to hang them by, a "poetic" comment on packaging, which has "become a crucial-and potentially insidious-aspect of the way in which the world is presented...
...demonstrate the validity of the movements, the show's organizer, Curator William S. Rubin, 40, eschewed the gaudy sensationalism favored in the heyday of Dada. Instead, he has let the precise craftsmanship and fertile inventiveness of his chosen artists speak for themselves. The exhibit is sedately mounted in a series of small, serene galleries, with Marcel Duchamp's proto-pop Fresh Widow (a miniature French window with a head cold) respectfully enshrined in a Plexiglas case. Dali's minuscule (as small as 7 in. by 5½ in.) Krafft-Ebing fantasies glow like 15th century Van Eycks...
...sole concession to flamboyance is a reconstruction of Dali's ivy-twined Rainy Taxi, from the 1938 exposition, faithfully copied right down to the snails that crawl on the faces of the sopping, green-lit mannequins inside. Otherwise, dulcet decorum is preserved because, as former Sarah Lawrence Professor Rubin puts it: "While the Dadaists use the term antiart to deny modern art, in retrospect their work takes its place in that tradition, enriching more than denying...