Word: rubins
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Dates: during 1980-1989
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...decade ago, interviewed numerous doctors, researchers and fellow sufferers. "There is more awareness of the problem today," says Stoler. "Fewer people are enduring in silence any more. More people are aware of the need to maintain a certain level of physical fitness, especially as they get older." Linda Stern Rubin of TIME'S Midwest bureau found Detroit engineers and designers conducting surveys and motion tests to determine ways to make automobile seats more comfortable. The Los Angeles bureau's Joseph Pilcher visited several "pain clinics," where such unconventional therapies such as acupuncture and electrical stimulation help patients deal...
...through the eyes of their own children in public schools. But in addition, a large number of TIME staff members involved in the story had themselves experienced the rewards and perils of teaching. Boston Correspondent Joelle Attinger once tutored at an inner-city grade school in Philadelphia. Linda Stern Rubin of TIME's Detroit bureau teaches a class in magazine writing at Wayne State University. Los Angeles Correspondent Robert Goldstein taught for two years in a South Bronx grade school and suffered a literal case of "teacher burn-out." Returning from lunch one day, he found flames leaping from...
...jazz band wouldn't appreciate it very much because ensemble practice is very important," Eric K. Rubin '80, former treasurer of the Harvard-Radcliffe Band, says...
...terms of sheer administrative labor, "Pablo Picasso: A Retrospective" is the most taxing show the Museum of Modern Art has ever installed. The idea for it came in 1972, when Art Historian and Picasso Expert William Rubin was visiting the artist in his villa at Mougins, in the south of France. In the sculpture-jammed studio, on the ground floor of the house, Rubin recalls, "I almost had a sense of vertigo. There was so much invention contained in so small an area. I thought to myself: There should be a really great Picasso show that combines Picasso...
...Rubin, 52, set to work with the future head of that museum, Dominique Bozo, 45. Beginning in late 1977, they whittled their huge exhibition of 940 works from the Spaniard's colossal output. The logistics of getting it to New York were daunting. They involved hundreds of millions of dollars in insurance (MOMA will not reveal exactly how much), the work of 30 couriers, and some 75 air shipments from different corners of the world. The cost of the exhibition was $2 million. Of the 152 lenders, among them 56 museums, only two sources balked. One was Picasso...