Word: rubinstein
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Dates: during 1960-1969
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...ARTUR RUBINSTEIN, who celebrated his 75th birthday last month, is a great connoisseur of life. Even his recordings evoke the aroma of fine cigars, the company of good friends, a glass of old port at bedtime. VLADIMIR HOROWITZ, who has not played in public since 1953, is more inscrutable. His humor is shy, his pathos and his beliefs are strong. Yet the two share a comradely distinction: they are the last of the great romantic pianists, and like Spanish-American War veterans, they live in an age that prizes them without necessarily knowing the grandeur of their tradition...
...Kapell, the brilliant 31 -year-old pianist killed in an air crash in 1953 while returning home from Australia. At the trial in 1961, Belli bolstered his argument with a lustrous array of musical talent to testify to Kapell's genius and high earning power - Rudolf Serkin, Artur Rubinstein, Van Cliburn, Jascha Heifetz, Isaac Stern, Leonard Bernstein, Leopold Stokowski. But before the jury could award a penny, it had to decide on liability, and on that question the musicians were no help at all. The jury found no negligence, never even considered an award...
...fashion of an international society that mixes people of achievement with outsiders of the jet set. Guests have included French Premier Georges Pompidou (who was director general of de Rothschild Frères under his good friend Guy until 1962), former Premier Michel Debré, Prince Sadruddin Khan, Artur Rubinstein, the Charles Wrightsmans of Palm Beach and Porfirio Rubirosa...
...drove up. A man got out and jumped over a three-foot-high rail. He broke through a cordon of Dallas cops-who were certainly not having one of their good weeks -and approached Oswald almost as though he were going to shake hands. He was Jack Ruby (born Rubinstein) a stocky, balding 50-year-old bachelor who owns a couple of Dallas strip joints, was known to cops as a publicity-seeking pest...
...drink in the cultural delight and pellucid serenity of music. Since its inception in 1918, the Lewisohn concert series has fulfilled that function with zeal and occasional distinction. Of late, the masses seem to be flocking to the concrete-tiered stadium with somewhat less enthusiasm, and several topflight performers (Rubinstein, Isaac Stern and others) now shun it. For one thing, these and other artists are loath to face the New York critics under less than ideal conditions (too little rehearsal time, bad weather, bad acoustics). Concerts have dwindled from 65 in 1939 to 24 in 1962, attendance from...