Word: rubinstein
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Brahms: Piano Concerto No. 1 in D-Minor. (Chicago Symphony Orchestra, Fritz Reiner conductor, Arthur Rubinstein pianist, RCA.) This performance, recorded in mono in 1954. remains the pianist's grandest reading of the work, and Reiner's surging accompaniment turns it into the most satisfying D-Minor on records. The new reissue is not in mono or in phony stereo, however. Back in 1954, four years before the advent of stereo, RCA was already experimenting with the technique, and taped this performance simultaneously but separately in stereo. The results can stand comparison with many of today...
Beethoven: Sonata No. 21 in C (Waldstein), Eroica Variations (Pianist Emanuel Ax, RCA). Since winning the Artur Rubinstein International Piano Competition in Israel in 1974, Emanuel Ax has devoted himself on records primarily to Chopin, and expertly so. Here he turns to Beethoven with a dream technique that more than meets the virtuoso demands of both works. But unlike many a prizewinner, he has much more than dexterity going for him. Ax controls the music completely, not it him. Such ease, logic and warmth suggest that he is a Beethoven pianist to keep...
...terrifically inspiring" for the handicapped if Lily did one of them. The woman even furnished one of Crystal's best lines: "At an amusement park a little kid asked me if I was a ride." Lupe, the world's oldest beautician, is modeled after the late Helena Rubinstein...
After MacBride's speech, five human rights experts, Charles Runyon '35, T. Michael Peay, John Carey, Joshua Rubinstein and C. Clyde Ferguson Jr., focused on violations of human rights in the Middle East, Southern Africa and South America...
...theory on why the pianist, considered to be among the two best pianists alive today (along with Arthur Rubinstein), has come to appease the masses is that he is still very concerned (absurdly so, considering his status) with his popularity. He is, perhaps, overly sensitive about it. A negative review in The Boston Globe many years ago prompted Horowitz to swear he'd never return to Symphony Hall. Although there are practically riots at the box office every time his recital tickets go on sale, he insists that his manager take out full-page ads in Musical America, the promotional...