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Cheever would have groaned, or said something quite rude about such stale expressions. He was, after all, capable of describing himself as "intrinsically disheveled." Worse still, Donaldson seems only dimly aware of the discipline and artistry that went into Cheever's fiction. Two early stories, the biographer writes, "were deeply felt semiautobiographical tales populated by characters that the author (and hence the reader) clearly cared about." If "caring about" characters were truly a recipe for literary success, the world would be awash with masterpieces...

Author: /time Magazine | Title: Books: The Man, but Not His Voice JOHN CHEEVER: A BIOGRAPHY | 6/27/1988 | See Source »

...known Woody Bracey for 34 years," Danielssaid, "There is nothing in his soul that isracially motivated. I've never heard him refer toanyone in a rude or derogatory way [because] oftheir color of skin, religion or national origin...

Author: By Spencer S. Hsu, | Title: Yale Alumnus Charged With Burning of Shanty | 6/8/1988 | See Source »

...invaders soon receive a rude shock, for they encounter one of nature's most incredible and complex creations: the human immune system. Inside the body, a trillion highly specialized cells, regulated by dozens of remarkable proteins and honed by hundreds of millions of years of evolution, launch an unending battle against the alien organisms. It is high-pitched biological warfare, orchestrated with such skill and precision that illness in the average human being is relatively rare...

Author: /time Magazine | Title: Medicine: Stop That Germ! | 5/23/1988 | See Source »

...music is Nessun dorma from Puccini's Turandot; the images are the last frenetic dreams of a dying woman. Ancient astral priests dress her for a mysterious ritual: paint on her body, diamonds on the soles of her feet, finally a branding iron pressed to her lips. A rude flash, and we see the scene of a car accident. The jewels are mortal wounds, the priests surgeons, the vision one of hope and fear for the unknown world that follows death. Visually, Russell's sequence is pitched at see above high- see. Emotionally, it takes preposterous risks and pulls them...

Author: /time Magazine | Title: Cinema: Opera for The Inoperative | 5/2/1988 | See Source »

...audience knows exactly what will happen, so there is no suspense. Playwright James Kirkwood takes out the humor, so the audience is no longer interested. He leaves us inwardly saying, "End, end, end..." I hate that feeling, but leaving early would have been rude...

Author: By Sean C. Griffin, | Title: Heavy Petting | 4/15/1988 | See Source »

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