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...part, the new company is frankly the first farm club for the Met's Rudolf Bing. "Mr. Bing has already told me," says Miss Stevens, "that 'If you've got anyone in there that is ready for the Met, I'm going to take them.' But what could be more wonderful...

Author: /time Magazine | Title: Opera: Off & Running | 10/1/1965 | See Source »

...mostly they had. In recent years, however, New York has gone Wilde, and the newest darlings on its social circuit are artists and artisans who ten years ago were talked about but seldom talked to−such as, say, Norman (Mailer), Tennessee (Williams), Sammy (Davis Jr.), Gadge (Elia Kazan), Rudolf (Bing) and Cal (Robert Lowell). At the moment, the magic names are Andy and Edie...

Author: /time Magazine | Title: Society: Edie & Andy | 8/27/1965 | See Source »

...everywhere at once. Last week he popped up at the Munich Opera Festival singing the lead role in Hindemith's rarely performed Cardillac. Premiered in 1926, the opera -a starkly sketched exercise in early expressionism-is hardly everyone's cup of tea. Yet as interpreted by Director Rudolf Hartmann and Fischer-Dieskau, cast as a goldsmith who peddles his handiwork by day only to redeem it at night by killing off his customers, Cardillac proved the surprise hit of the month-long festival. Stable Serenade. At 40, Fischer-Dieskau is a comparative newcomer to the world...

Author: /time Magazine | Title: Opera: Thinking Man's Baritone | 8/20/1965 | See Source »

Overall, most U.S. neurologists would agree with Dr. Rudolf Zimmermann, famous German throat specialist: "From a medical standpoint there is not the slightest shred of evidence that there could be such a link to the mind. Singers -often out of necessity and insecurity -may harbor a somewhat inflated ego. But few of them could be considered outright dumb...

Author: /time Magazine | Title: Singers: The Great Vibration Theory, Or Are Singers Really Stupid? | 8/6/1965 | See Source »

Nowhere is the competition as keen as in New York City, which boasts more (111), and more diverse, private schools than any other city in the country. The rigidly classical Lycée Francais has a curriculum similar to the one used in French schools, while the offbeat Rudolf Steiner School is based on anthroposophical principles. Progressive Dalton gives no marks, teaches anthropology and playwriting to upperclassmen, while prim, socially prominent Hewitt rules that students cannot attend "parties, moving pictures or the theater" on school nights...

Author: /time Magazine | Title: Private Schools: Cradle-to-College Struggle | 7/30/1965 | See Source »

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