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...busy week at the opera, too. Among other things, the Met offered a new twin-bill production of Cavalleria Rusticana and Pagliacci. Not everybody was satisfied with the way Rudolf Bing & Co. went about streamlining the old favorites (see below), but the singing was good...

Author: /time Magazine | Title: Music: Mid-Season | 1/29/1951 | See Source »

...York Philharmonic (Sun. 1 p.m., CBS). Soloist: Pianist Rudolf Firkusny...

Author: /time Magazine | Title: RADIO: Program Preview, Jan. 22, 1951 | 1/22/1951 | See Source »

...Except for Them . . ." Among the chief assets inherited by Rudolf Bing is the glamorous tradition. Still lurking in the shadows of the old gilt and plush house are the ghosts of the Met's hallowed past, when Sembrich, Lilli Lehmann, the De Reszkes, Melba, Caruso, Farrar and Chaliapin graced the stage, and Gustav Mahler and Arturo Toscanini ruled...

Author: /time Magazine | Title: Music: Under New Management | 1/15/1951 | See Source »

...Horror and Ecstasy," had to give extra performances to accommodate the crowds. Among the agency's clients were Soprano Lotte Lehmann, Conductor Fritz Busch, a young violinist named Eugene Ormandy, and a troupe of Russian dancers which included Nina Schelemskaya-Schelesnaya, who later shortened her name to Mrs. Rudolf Bing...

Author: /time Magazine | Title: Music: Under New Management | 1/15/1951 | See Source »

...experience that makes him a valuable boss for the Met today-the tedious and complicated work of engaging artists, scheduling rehearsals, programming, and overseeing ticket sales. He also met two of the men who are now his right and left hands at the Met: Artistic Administrator Max Rudolf, 48, and General Assistant John Gutman, 48, who in the old days used to drop into the Darmstadt theater as music critic for the Berlin Börsen-Courier. Rudolf, then a conductor, recalls Bing and wife Nina as "a handsome couple," Bing himself as "a man I liked to talk...

Author: /time Magazine | Title: Music: Under New Management | 1/15/1951 | See Source »

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