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...front rank of younger choreographers. For the Royal Ballet, the performance was the high point of its first two weeks in New York (the start of a four-month U.S. tour). For New York ballet buffs, it was a sample of more to come. This week Royal Ballet Stars Rudolf Nureyev and Margot Fonteyn make their first appearances of the season; and next week the American Ballet Theater will arrive for a month with its new, widely heralded, full-length Swan Lake...

Author: /time Magazine | Title: Ballet: Golden Dregs | 5/5/1967 | See Source »

...skepticism. Yet this book, written by two reputable French journalists after 21 years of assiduous research, claims that all of those revelations were indeed made-and disregarded. The man who ferreted out that information and relayed it to the Allies was a studious, skeletal German refugee-journalist-publisher named Rudolf Roessler, code-named "Lucy," who according to the authors was the most influential-and ignored-spy of World...

Author: /time Magazine | Title: Books: Would You Believe? | 5/5/1967 | See Source »

...same name. Neon eggs are unusual enough, but more unusual was the fact that the work was hatched by London's Royal Ballet, the venerable guardian of traditional repertory. What is more, the roles of Adam and Eve were danced by the foremost duo in romantic ballet, Rudolf Nureyev and Margot Fonteyn...

Author: /time Magazine | Title: Dance: Petit Paradise | 3/3/1967 | See Source »

Artist Marc Chagall believes in "God, Mozart and color." The Metropolitan Opera's Rudolf Bing believes in Mozart, Chagall and boxoffice. Thus, when the Met scheduled a new production of The Magic Flute, it seemed only right that the 79-year-old Chagall should design the sets and costumes. No matter that he had never before tried his hand at opera; The Magic Flute is fantasy, and in that misty, mystical medium Chagall is the original beautiful dreamer. "He is so very right for it," said Bing...

Author: /time Magazine | Title: Opera: Flowery Flute | 3/3/1967 | See Source »

Peter is Pianist Rudolf Serkin's son, but he is out to make it on his own. Since he likes to eat, he does force himself to play a public concert now and then. His recent recital at Manhattan's Philharmonic Hall was, typically, a study in reluctance. Even his posture seemed vaguely discontented. Creeping up on the piano keyboard, he curled his bulky 6-ft. 1-in. frame into a question mark, repeatedly dipped his head as if he were literally going to play the music...

Author: /time Magazine | Title: Pianists: The Boy Who Hates Circuses | 2/24/1967 | See Source »

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