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People were doing irrational things to get ino Romeo and Juliet when Rudolf Nureyev and Margot Fonteyn danced it in America two years ago. Now that the same Royal Ballet production has been made into a film, the tickets are easier to come by but no less precious...

Author: By Timothy Crouse, | Title: Romeo and Juliet | 11/4/1966 | See Source »

...would rather experience a Callas Toscu than an LSD trip. I applaud TIME for daring to like Rudolf Bing and the beautiful new Met [Sept. 23|. It is the latest chic to find the Met somehow appalling or worse, mundane. It is gaudy (so are diamonds). It panders to popular taste-Chagall, really! It is gimmick-run, unexciting, blah, blah, blah. One wonders what could possibly have pleased its critics. But then, who cares...

Author: /time Magazine | Title: Letters: Sep. 30, 1966 | 9/30/1966 | See Source »

...delighted with the lively profile of Rudolf Bing. With the exception of one or two semantic twisters, I think it is a first-rate job-definitely ept, ane and ert. Sending Mr. Bing a bottle of Moselle as a preliminary shipboard softener-upper was a touch of genius. Champagne would have been all right for some people, but for Bing a bit gauche and outre. In the words of Talleyrand (almost): He is intolerable, but that is his only fault...

Author: /time Magazine | Title: Letters: Sep. 30, 1966 | 9/30/1966 | See Source »

...Giovanni, and the guile of a Mephistopheles. For Rudolf Bing, it's all in a day's work. At 64, he is the undisputed lord of the manor, and he looks it. Though in physique (6 ft., 139 Ibs.) he resembles a patrician heron stuffed into herringbone, there is an impeccably correct bearing about him that says "Beware: regal and remote." His face and grey-fringed dome, all right-angle turns, are a study in parchment over steel. A Vienna-born English subject, he could easily pass as the British ambassador to Paris-a job that he wouldn...

Author: /time Magazine | Title: Opera: Lord of the Manor | 9/23/1966 | See Source »

...schedule extra performances to accommodate the crowds. Among his clients were Soprano Lotte Lehmann, a young redheaded violinist named Eugene Ormandy, and a troupe of Russian modern dancers, one of whose members, a slim, dark-eyed blonde named Nina Schelemskaya-Schelesnaya, later shortened her name to Mrs. Rudolf Bing...

Author: /time Magazine | Title: Opera: Lord of the Manor | 9/23/1966 | See Source »

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