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Word: rufino (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Coconut Planter Rufino Flores Velez was riding along a Mexican trail near the isolated village of Rio Grande in the southwest corner of Oaxaca state. When his horse kicked the corner of a stone sticking out of the dust, he hopped off, investigated, and gathered a gang of peasants to dig up the stone. It weighed about three tons, but at last the peasants managed to turn it over. The underside was covered with elaborate carvings that looked to non-archeological eyes like a man and woman embracing...

Author: /time Magazine | Title: Science: Diggers | 3/8/1954 | See Source »

...Rufino Tamayo, the Big Fourth of Mexico's famed artistic quadrumvirate (the others: Orozco, Rivera and Siqueiros), 1953 was a fat year. In twelve months crowded with work and honor, Tamayo completed two huge murals in Mexico City's Palacio de Bellas Artes, painted a monumental El Hombre for the Dallas Museum of Fine Arts, and won a first prize of more than $5,000 for a roomful of paintings in Sao Paulo's biennial exhibition. He also found time to paint more than a dozen smaller pictures. Last week 17 of his new canvases went...

Author: /time Magazine | Title: Art: Painter's Year | 3/8/1954 | See Source »

...Dallas Museum of Fine Arts displayed a looming mural (18 ft. by 10 ft.) by Mexican Artist Rufino Tamayo (commissioned last year in the hope that it would help eliminate anti-Mexican prejudice in Texas). Titled El Hombre, the mural shows a monolithic, foreshortened giant, his back to the viewer, growing like a strange modernistic tower into the sky. His legs, bulging with orange-colored, cubist muscles, are firmly earthbound; but his upper half reaches into the stars. Explained Artist Tamayo: "I wanted to show man as a rational being going to higher places." Dallas, by & large, was delighted. Mayor...

Author: /time Magazine | Title: Art: Autumn Harvest | 10/26/1953 | See Source »

...often as generous to its artists as were the city-states of Renaissance Florence and Venice. Mexico's Big Three -David Siqueiros, Diego Rivera and the late José Orozco -have covered acres of wall space with murals commissioned by the state. A fourth native son of genius, Rufino Tamayo, was long kept out in the cold by his colleagues, because his art smacked of Paris and his politics failed to partake of Marx. Wallflower Tamayo was only recently invited to paint a muralin Mexico City's Palace of Fine Arts. His response has the muted, starlight luminosity...

Author: /time Magazine | Title: Art: Starlight And Sunlight | 4/13/1953 | See Source »

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