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Word: rugantino (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...RUGANTINO, an Italian-language musical with English titles suspended over the stage, is a pleasant Broadway novelty. Its bawdry is innocent, its humor earthy, its girls look blessedly like girls, and its picaresque hero is forever outwitting himself...

Author: /time Magazine | Title: Television, Theater, Cinema, Books: Feb. 28, 1964 | 2/28/1964 | See Source »

...Broadway RUGANTINO, an Italian language musical with English titles suspended over the stage, is a pleasant Broadway novelty...

Author: /time Magazine | Title: Television: Feb. 21, 1964 | 2/21/1964 | See Source »

...Rugantino, a musical transported intact from Rome and sung and spoken in Italian, is a pleasant novelty on Broadway. Unobtrusive English titles are flashed on a narrow screen above the stage to keep the playgoer abreast of action and dialogue. More nearly an operetta than a musical comedy, Rugantino is lavishly and attractively costumed and atmospherically set in Rome in 1830. Its bawdry is innocent, its humor earthy, its love songs are unselfconsciously sentimental...

Author: /time Magazine | Title: Theater: Roman Scamp | 2/14/1964 | See Source »

...show revolves around a picaresque little man hero, Rugantino (Nino Manfredi), who wants to be the kind of I came-I pinched-I conquered-I told male who has always appealed to the Latin imagination as the quintessence of manhood. When he starts his ego building exercises in the bedroom of Rosetta (Ornella Vanoni), that married lady's husband breaks one of Rugantino's fingers as a hint to keep hands off. Apart from palming off his mistress on an aging lecher (Aldo Fabrizi), most of Rugantino's pranks backfire. He tosses a dead cat into...

Author: /time Magazine | Title: Theater: Roman Scamp | 2/14/1964 | See Source »

Coming from a land where the stones sometimes seem to sing, Rugantino is musically underprivileged, except for a couple of lilting serenades, Ciumachella and Roma. By U.S. standards, the dance numbers are unsophisticated, but one carnival scene with masks and harle quins manages to echo commedia dell'arte. Rugantino's appeal is that it is smilingly content to woo an audience rather than...

Author: /time Magazine | Title: Theater: Roman Scamp | 2/14/1964 | See Source »

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