Word: ruggero
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Dates: during 1980-1989
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MOST AMEFICANS are not usually concerned with research in theoretical physics, but according to Ruggero Santilli's new book they ought to be. In II Guande Grida, Santilli levels charges against some of the most respected members of the U.S. physics community and claims that; "under the deceptive vest of democratic peer review, the current U.S. academic community in physics is a most totalitarian (and internationally powerful) scientific organization which imposes a most questionable form of slavery, that of the human mind." Moreover, Santilli argues that the systematic obstruction of certain kinds of research in theoretical and experimental physics...
...that following the rules is hard/If you don't love me, I love you/And if I love you, then be on your guard." And with these lines from "Habaneras" the stage is set for the fateful love triangle involving gypsy Carmen, Don Jose (Placido Domingo) and the bullfighter Escamillio (Ruggero Raimondi...
Verdi: Aïda (Mirella Freni, soprano; José Carreras, tenor; Agnes Baltsa, mezzo-soprano; Piero Cappuccilli, baritone; Ruggero Raimondi, bass; é van Dam, bass; Katia Ricciarelli, soprano; Thomas Moser, tenor; Vienna State Opera Chorus and the Vienna Philharmonic, Herbert von Karajan, conductor; Angel; three LPs). That old Ethiopian slave girl and would-be war bride finds a new and glorious incarnation in Mirella Freni, whose voice may not move pyramids but finds its way to the heart of the role. This is particularly true in the Nile Scene, where Aïda tussles with her passion for Radames...