Word: ruggieros
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...Angela Ruggiero ’02-’04, Julie Chu ’06-’07, and Caitlin Cahow ’07-’08 are among the 21 players on the Olympic roster, which was released Thursday...
...Harvard alums have each been to at least one Games previously, with Ruggiero, a defenseman, a veteran of every American squad since women’s hockey became an Olympic sport...
Director Robert Ruggiero keeps his staging within Lerner’s outlines, which set designer Michael Schweikardt fills with color. To this portrait, costume designer Alejo Vietti adds a dab of earth tones. The men stride in fur-lined, verdant coats; the women frolic in pastel, summer dresses. But Vietti achieves his greatest efficacy in his simplest combinations. When Guenevere meets Arthur in a wintry forest, she dons a white cloak, highlighting her long red hair. The contrast accentuates Guenevere’s fiery passion—the reason that men find her irresistible...
Although Ruggiero’s staging is masterful, his interpretation of the production, as stated in the playbill, misses the thrust of the show. Ruggiero puts the spotlight on the “layered relationships of King Arthur, Guenevere, and Lancelot rather than…some epic idea.” But the hero of “Camelot” is not Arthur himself; it is his institution: the rule...
...that the rule of law can exist without a charismatic leader and in the minds of the people. Camelot is supposed to be permanent. That said, Lerner and Loewe’s “Camelot” plays only until September, and theater-goers should relish it. Ruggiero may misinterpret Arthur’s story, but he tells it beautifully. His production is, in Lerner’s words, “one brief shining moment...