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There’s not a great difference in what airs today—the new focus of censorship can be attributed to the fact that we as a people have evolving tastes. We begin to really like something, and only then does someone come along to ruin the party. Most of the time, the reasoning is simple: What’s most popular generates the most airtime for a cause. Sometimes, however, there is a self-interested component that doesn’t go unnoticed...

Author: By Malcom A. Glenn | Title: Love It, or Leave It Alone | 4/2/2007 | See Source »

...scared that horror movies will ruin innocent children or that today's kids are too sophisticated to be hurt, frightened or moved by movies? Is it that the MPAA is not doing enough--or that there are no children left to protect...

Author: /time Magazine | Title: Blood on the Streets | 3/30/2007 | See Source »

...picture this year. Largely due to the laughable overacting, Regan’s character serves only as unintentional comic relief. The film also suffers from a lame and sedate narrator whose lack of urgency harms the film’s momentum. Overall, weak acting, horrible dialogue, and utter absurdity ruin what could have, and should have, been one of the year’s best. The action alone isn’t enough to carry the film. My expectations were high: millions of advertising dollars raised interest, the teasers generated a ton of hype, and the film boasted an expertly...

Author: By John D. Selig, CONTRIBUTING WRITER | Title: 300 | 3/8/2007 | See Source »

Sending Rice to salvage the ruin that is American foreign policy is much like sending Jack the Ripper to conduct the autopsy of his victims. Rice is complicit in creating the policies that have reduced our standing in the world to that of a bullying and ignorant monolith blinded by its own elevated sense of importance. Like President George W. Bush, Secretary Rice needs to admit numerous mistakes before she can hope to shape the government of other nations...

Author: /time Magazine | Title: Letters: Feb. 26, 2007 | 2/15/2007 | See Source »

...going to ruin anything by detailing Coyne's sufferings any further, except to say that they're suitably vicious and cathartic. A lot of horror writers wind up revealing a sentimental streak in the end, but if Hill has one he keeps it well in check. This is, ultimately, a book about fathers and sons: Coyne must come to terms with his abusive father, and with the avenging ghost, who is the father of another key character. It's an appropriate enough theme for Hill, because every artist has to work in the shadow of his or her father...

Author: /time Magazine | Title: The Son Also Frightens | 2/9/2007 | See Source »

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