Word: ruisdael
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Organized in roughly chronological order, the exhibit includes a recently discovered work by Bruegel and seven drawings by Rembrandt, in addition to samples of work by other old masters, including Jacob von Ruisdael and Jacques de Gheyn II, whose “Three Studies of a Dragonfly” (c. 1600) is particularly stunning...
...Dutch-French artist Ary Scheffer that he saw in the Dordrecht Museum, Christus Consolator and The Agony in the Garden. The latter he deemed "unforgettable," adding that "long ago that same painting struck Pa the same way." Van Gogh found landscapes and rural scenes just as uplifting - first Ruisdael and Constable, and then his contemporaries from the Hague School, Josef Israëls, Matthijs Maris, Anton Mauve and their Barbizon-School cousins Charles-François Daubigny and Millet. This makes for a wonderful triple play here, cloud-filled skies sweeping over broad plains painted by three generations: Ruisdael...
...find in public museums. Often this approach alienates the public, but that need not be the case with intelligent work, suggests Curator of Drawings William Robinson. On the contrary, the most perfect exhibit ever at the Fogg, he says, was a collection of landscapes by Dutch master Jacob van Ruisdael that was shown in 1982. "Director Seymour Slive successfully combined a major artist's unfamiliar, though brilliant, work with exemplary scholarship, and 2,500 people came on a single afternoon...
...stories. The largest is the museum, which is, in turn, broken up into five pavilions set around a 1 1/2-acre garden courtyard, interconnected by walkways, some open air. The arrangement means that a visitor's tour will be punctuated by blasts of California blue sky and sunlight: Rembrandt and Ruisdael landscapes interspersed with real- life Pacific vistas...
...forms of the Arlesian landscape, its patchwork of fields and tree-lined roads, were already embedded in his Dutch background-"it reminds one of Holland: everything is flat, only one thinks rather of the Holland of Ruisdael or Hobbema than of Holland as it is"-but the color was like nothing in Van Gogh's previous life. Seeing his desire for "radical" color confirmed in the actual landscape gave him confidence. It affected even those paintings in which no landscape occurs, like the self-portrait of Vincent with a shaved head, gazing not at but past the viewer with...