Word: runaways
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Near the end of the evening rush hour, the engineer of commuter train No. 153951 peered down the tracks of Paris' Gare de Lyon and screamed in horror: another train was bearing down on him at high speed. Seconds later, the runaway train rammed 153951 at more than 50 m.p.h., turning it into a maze of shredded steel. The collision last week was the worst rail accident in Paris history and one of the worst ever in France. The toll: 56 dead and 13 seriously injured...
Fast food too. In their week at a North Woods cabin, Nice Guy John Candy and his family encounter every unimaginative pestilence: bats, raccoons, stubborn horses, runaway water skis, acid indigestion, puppy love. And, worst of all, a plague of relatives led by Slime King Dan Aykroyd. The comic climax comes when a bear gets its buttocks fur blown off by a shotgun. Anyone out there laughing...
...expect nothing new in a Schwarzenegger movie, and he usually delivers. Take Red Heat's final runaway-bus chase . . . well, action-movie finales are always boring; that's the time to get the popcorn. But there are pleasing character lines on the film's familiar muscular framework. The script, by Hill, Harry Kleiner and Troy Kennedy Martin, manages to work a little human plausibility, even poignancy, into a couple of cop-movie stereotypes: the black dope lord and the villain's duped wife. Belushi mines quick charm out of his surly role. And Arnold, starched tongue in cheek...
...assorted bones and a skull discovered by posthole diggers south of Seattle last week turned out to be those of Debra Estes, a teenage runaway who had been missing since 1982. Police said she was yet another victim of the so- called Green River Killer, bringing his grisly toll to 40 young women...
Carrie might have had just such a reserve if it held to its original $5 million budget. The show was eventually capitalized at $7 million, primarily by British and West German investors who had scant Broadway experience. But runaway costs reached, by some accounts, about $8 million, attributable partly to the high-tech fashion in current musicals, partly to the complexity of multinational production, partly to old-fashioned indulgence. Says the Royal Shakespeare Company's artistic director Terry Hands, who staged the show: "It started to be loaded with lavish trappings, none of which I believe were necessary." Sources involved...