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...Manhattan. Cannon grew up in New York's Greenwich Village and at 17 went to work as a copy boy for the Daily News on the lobster shift. He covered everything from wars to murder trials but eventually settled down to sportswriting, encouraged by Hearst Columnist Damon Runyon. A chunky bachelor, Cannon wrote mainly about big-league sport. He also recounted debates of bettors and bums like Two Head Charlie and The Blotter as they examined life's ironies after midnight on the side streets off Broadway. In columns beginning "Nobody Asked Me But . . ." he offered such offbeat...

Author: /time Magazine | Title: Milestones, Dec. 17, 1973 | 12/17/1973 | See Source »

Despite its occasionally campy script, Guys and Dolls is, after all, one of the classics. And even if the Leverett House portrayals don't make you walk out with Damon Runyon on the mind, there are still quite a few good moments and a selection of great tunes, presented by an enthusiastic company. The odds are good...

Author: By Matthew Gabel, | Title: Nathan Detroit's Alive and Well | 11/10/1973 | See Source »

LAWRENCE ROCKS RICHARD P. RUNYON...

Author: /time Magazine | Title: Letters, May 28, 1973 | 5/28/1973 | See Source »

THIS chilling scenario is not from a leftist science-fiction film but out of the pages of a serious recent book, The Energy Crisis (Crown; $5.95), by Lawrence Rocks and Richard P. Runyon, both professors at Long Island's C.W. Post College. Unless the U.S. takes serious measures to find new sources of energy, the authors warn, such massive turmoil could occur in the U.S. by the 1980s. While the apocalyptic view of Rocks and Runyon is exaggerated, talk about an energy crisis is more than hyperbole...

Author: /time Magazine | Title: Environment: The Energy Crisis: Time for Action | 5/7/1973 | See Source »

Truffaut displays his distinctive and exuberant virtuosity; the film is briskly and surely made. The actors are fine, especially Denner, as a notably intense exterminator, and Guy Marchand, as a sleazy vocalist called Sam Golden who sports an extensive wardrobe of Damon Runyon gangster duds. But Bernadette Lafont can never find quite the proper combination of artfulness and amorality as Camille. She has an easy, unforced, energetic sexuality, but her ruthlessness does not seem to suit her. She tries too hard to act it, perhaps because it was never fully there in the script, which is concerned more with gymnastics...

Author: /time Magazine | Title: Cinema: Jail Bait | 4/30/1973 | See Source »

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