Word: rupert
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Dates: during 1990-1999
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...Beautiful? Will the Academy give Tom Hanks another undeserved Oscar because they refuse to credit Ian McKellan for his portrayal of a gay film director? (the Academy refuses to acknowledge gay actors in gay roles--only straight actors who feign gayness get nominated. Witness the fact they passed over Rupert Everett in My Best Friend's Wedding for Greg Kinnear in As Good As It Gets...
...Younger Brother (Aloysius Gigl) and Grandfather (Austin Colyer) round out the white upper-class upstate New Yorkers. The audience is also introduced to Coalhouse Walker Jr. (Lawrence Hamilton), a talented Harlem pianist, and his captivating lover Sarah (Darlesia Cearcy); as well as to the fanatically patriotic immigrant Tateh (Michael Rupert) and his Little Girl (Jenell Slack). The three groups of people--the WASPs in frilly white, of course; the Harlem natives in deep burgundies and blues; and the Jewish immigrants in black--face off against each other in a simple yet intensely symbolic dance routine as they sing about...
Here is an item from Peterman's "Owner's Manual" No. 72, Fall '98: "Sir Rupert met him just beyond the gate of Penworth House. At first he thought he recognized the man. An old mate from Rugby ...No, that would have been foolish. MI5 wouldn't have chanced it. Not like this anyway. Still, the man had the right look about him. The windowpane blazer. Nicely non-bureaucratic." Windowpane Blazer. $225. Too much Bond, I think--a little over the top. So is this, from the same catalog: "Fabiana whistled for the stable boy. He came. She whipped...
...Awarded ownership of the New York Post by a bankruptcy court; fires 72 employees, including editor Pete Hamill, only to rehire him within days. Loses control of Post 16 days later, after Rupert Murdoch buys...
Shakespeare in Love fancifully retells the creation and premiere of Romeo and Juliet. It peoples the London of 1593 with the usual suspects--Christopher Marlowe (crafty Rupert Everett), Queen Elizabeth (Judi Dench, a sly dominatrix)--and some ageless show-biz types: the poverty-pleading producer (Geoffrey Rush), the backer with a lust for limelight (Tom Wilkinson). Director John Madden works in jokes about profit sharing and credit hogging, and a climax in which the real star steps in for an indisposed leading lady...