Word: rushing
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Dates: during 1970-1979
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...OPEC's failure to agree on a single price presents the oil-importing nations with a rare chance. If they substantially reduce their consumption of crude, prices at long last could be braked. Decreasing demand for petroleum can easily stampede OPEC's members into a back-stabbing rush to hang onto their customers by offering all sorts of discounts and deals. Already there are signs that this year's 100% increase in crude oil costs is beginning to crimp cartel sales. U.S. oil imports dropped by 8.5% during November to 7.9 million bbl. daily, suggesting that...
...exception of Beryl Sprinkel, who figured that there is almost a 50% chance that the President will go for controls, most board members gave that prospect only a 20% to 40% chance. Carter first would need congressional authority and, as the debate raged on Capitol Hill, businessmen would rush to raise prices to get in under the wire. Further, board members argued, controls would not affect three major sources of price increases: OPEC; Federal Reserve Chairman Paul Volcker, who does so much to set interest rates; and God, who creates the weather that determines the size of harvests...
...until now has kept Townshend writing and The Who performing true lifeline rock 'n' roll. The members of The Who know what this music means, know its power and its necessary mutability. They also know what it means to the kids, not just a quick charge and an antic rush in a minute of concert footage but a change as potentially profound as any art can work, and even more immediate. All of this is in the four lines of Music Must Change that Townshend sings quietly, almost to himself...
...oldest kids in the playground, but he is still one of the toughest. Townshend melodies like Pure and Easy, Baba O'Riley and Music Must Change have the structural sophistication of music that is usually presumed to be more "serious." They also have a visceral challenge, a rush that only Springsteen, among Who contemporaries, can rival...
...rush is the path into the music. The way to the center and out again is a good deal more complex and subtle. Townshend's obsessions are the audience, music itself and a certain evasive, almost evanescent kind of spirituality that has its roots in the teaching of the Indian mystic Meher Baba, to whom Townshend is devoted. Tommy, which became the most widely known Who work, was a two-record "rock opera" about a deaf, dumb and blind pinball champ who was raised into a kind of pop artifact and rock-'n'-roll godhead. It sold more than...