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...While I was impressed by the "100% herbal" part, I must admit: My breasts are every bit as big as they have to be. But the ad did have a therapeutic side effect. It helped remind me of Russ Meyer's crucial spot on the American spectrum. The filmmaker who uncaged Bosomania as a movie genre is part, and partial progenitor, of a breast-worshipping subculture (or bust-culture) that demands women carry treasure chests, whether real or artificially augmented. Bigger breasts: Men will look. Available from a plastic surgeon near you. Ladies, don't be satisfied with nature...

Author: /time Magazine | Title: Thanks for the Mammaries | 8/2/2002 | See Source »

...From "The Immoral Mr. Teas," his first nudie in 1959, to "Beneath the Valley of the Ultravixens," his last sex comedy 20 years later, virtually every Meyer movie was a tale of two titties (or four, six, eight, as many as Russ could get his hands on) - a celebration of women who were bulbous of breast. His actresses toted breastwork so gargantuan they nearly ceased to be human; they were critters of another species, perhaps not animal but mineral, their topography of sexual interest only to size freaks. The unleashing of what Meyer would call a woman...

Author: /time Magazine | Title: Thanks for the Mammaries | 8/2/2002 | See Source »

...World War II unit, the 166th Signal Corps (this time Sammy Gilbert) - the girls wore bejeweled pasties, "covering the money," as his producer Pete deCenzie grumbled. Even Meyer wasn't crazy about some of these efforts. In his rampaging autobiography "A clean BREAST! The Life and Loves of Russ Meyer," he writes of the 1962 "Erotica" that "the film made more than a couple of bucks" and adds, in a note of despondency rare to this buoyant memoir, "There's no accounting for taste...

Author: /time Magazine | Title: Thanks for the Mammaries | 8/2/2002 | See Source »

...Note that all are men. Meyer's company was named Eve Productions, after his wife and former glamour model. To earn her producer credit on 11 films, she ran the office, negotiated with buyers and simmered while Russ kept her home while he had fun - what kind of fun? - on location. Their relationship, professionally symbiotic, was personally strained. After an operation, she told Russ: "I hope you're satisfied: I can never have a baby now." They divorced in 1970, and Meyer married Edy Williams, the starlet-visaged, harlot-configured ornament to his first studio film, "Beyond the Valley...

Author: /time Magazine | Title: Thanks for the Mammaries | 8/2/2002 | See Source »

Aided by a Shakespeare-quoting bum, Hal (Joshua S. Stenberg ’05), Russ and Cambridge finally make it into the Cat, where, despite the distraction of several scantily clad Wellesley visitors (Rachel D. Galper ’05, Bethany A. Burum ’05 and Joshua S. E. Wright ’05), Russ runs into trouble with a dean’s daughter (Alix Hazel...

Author: By Douglas G. Mulliken, CONTRIBUTING WRITER | Title: Freshman Musical, Sophomoric Humor | 4/26/2002 | See Source »

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