Word: russian
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Dates: during 1970-1979
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...Americans and their Soviet counterparts gathered next day at a long, polished table, read pompous statements to one another and still wondered what the hell was going to happen. David Aaron, disarmament planner-now a White House presence-reached across the table to light the cigarette of a Russian and dozens of bored cameramen came alive. Snap, click, whirr. Around the world a thin ray of hope shone from the morning's front pages immortalizing the symbolic U.S.-Soviet cooperation. By evening, with a little vodka under their collective belts, there was reason to believe the two superpowers might...
...this point Shaw is explicit. In his preface to the play, he calls Heartbreak House "cultured, leisured Europe before the war." Elsewhere he dodges the issue of what it all means: "How should I know? I am only the author." Shaw subtitled the play "A Fantasia in the Russian Manner on English Themes" as homage to Anton Chekhov, whose Three Sisters appeared earlier this semester at the Loeb. The imprint of Chekhov's style is apparent in Shaw's reliance on dialogue, rather than physical action or plot development, to express characterization and the atmosphere of pre-war England...
...Condor. Always use the back door. You never know, you may slip out for lunch one minute and return the next, pastrami and mustard in hand to find all your office mates spread across their desks, covered with blood. Meek and mild-mannered Robert Redford, who translates Russian novels for U.S. intelligence, came home to just such a spread, and leaving lunch aside, stepped into a phone booth and became "The Condor." The transformation is not complete--Redford is rather mild-mannered as a hero, too. When he calls into Central, he becomes a critical cog in the intelligence machine...
...society in microcosm. In the sense that the play portrays a group of people, suspended and enclosed while their world slips away from them. Hearbreak House resembles the works of Anton Chekov. In the play's preface, Shaw expresses the desire to write "a fantasia in the Russian manner." A mixture of mystery and melancholy, Hearbreak House could be described as something of a cross between Agatha Christie and Chekhov...
...basement room (plus kitchen and bath). They are permitted no mail through diplomatic channels, cannot meet with reporters in the embassy building, and live in relative isolation. But they are adequately fed, at U.S. expense. Sympathizers have sent them books, and even a game of Russian Scrabble...