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Word: russianize (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

...just cleared from New York, bearing to the Chinese Government the second consignment of a $1,000,000 order for battle planes of the Vought Corsair type used by the U. S. Navy, built at Long Island City. Soon these planes might be bombing Soviet villages near the Sino-Russian frontier. Naturally the U. S. State Department was not responsible for the shipment, but it may have prejudiced Comrade Litvinov as he ruffled his copy of Statesman Stimson's note, pondered its powerful conclusion...

Author: /time Magazine | Title: RUSSIA: Scorn for Stimson | 12/16/1929 | See Source »

...Litvinov, who knew from his direct wire to the peace parley that China was yielding and Russia winning peace on her own terms, the U. S. note seemed at best an intrusion. His note in reply said: ". . . the [Stimson] declaration cannot but be considered unjustifiable pressure on the [Sino-Russian] negotiations, and cannot therefore be taken as a friendly act. . . . The Soviet Government cannot forbear expressing amazement that the Government of the U. S., which by its own will has no official relations with the Soviet, deems it possible to apply to it with advice and counsel...

Author: /time Magazine | Title: RUSSIA: Scorn for Stimson | 12/16/1929 | See Source »

...other words, Fedya is a great character, a coiled complex of frailty and nobility, such as his creator Tolstoy and that other great Russian, Dostoievsky, were particularly apt to conceive. As acted by Jacob Ben-Ami and a large company of Eva Le Gallienne's Civic Repertory Theatre (including a witty bit by the directress herself), most of the values of this celebrated tragedy are apparent. Egon Brecher's depiction of Alexandrov, an artistic hobo with delusions of grandeur, is an uproarious triumph if you can overlook its tragic perspectives...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Dec. 16, 1929 | 12/16/1929 | See Source »

...severe discipline, the stiff etiquette, of the regular army. To pass the time the prisoners write novels, play soundless music on a plank painted like the keyboard of a piano, compose invisible petitions on imaginary typewriters. Amateur theatricals turn the whole camp into a burrow of homosexuality. When the Russian Revolution and the Treaty of Brest-Litovsk come, the prisoners plan an escape en masse, nearly run into a massacre, are thankful to get back to their safe prison again. As the Revolution and counterrevolution roll across the country, the prison becomes a self-governing community: rank counts for nothing...

Author: /time Magazine | Title: Books: Microcosm of War | 12/16/1929 | See Source »

Great is the esteem expressed when musicians present one another with wreaths. By this token a big, bearish Russian might have felt doubly honored last week in Manhattan. He received not only a floral wreath, but a lyre made of red and white carnations and inscribed "in the name of American musicians to this Orpheus of Russia." The famed, hulking Orpheus was Alexandre Constantinovitch Glazounov, now making his first visit to the U. S. and appearing last week as conductor of his own works...

Author: /time Magazine | Title: Music: Russian Orpheus | 12/16/1929 | See Source »

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