Word: russians
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Dates: during 1950-1959
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...steady progression of Russian experiments-from Sputnik to hitting the moon to photographing the moon's far side, to extensive space tests with animals-indicates a Soviet determination to get man into space, and get him there as fast as possible. It also indicates that the moon is the Russians' first space objective...
During the last three years, Russian official treatment of visitors has eased. There are still a few instances of baggage being searched secretly, and one U.S. scientist had his tape recorder put out of action. But Russian scientists no longer huddle in groups when talking to foreigners, and they are usually free of political watchdogs posing as interpreters...
...scientific visitors pretty well agreed that Communism's rigid dogmas do not seriously confine Russian scientists. In their laboratories their minds are free, and if they are in an officially favored science, they are almost as free to follow their favorite projects as U.S. scientists are. Said Physicist Robert Erode of the University of California at Berkeley: "People can compartmentalize their minds. The argument that there can be no creative science in a restricted society has not held water." Most U.S. visitors agree that Russian scientists are less restricted by political ideology than by the rigid hierarchies...
What worries U.S. visitors more than the specific achievements of Russian science is its momentum. The best young people flock into science-not only the dedicated students but also ambitious young men merely in search of success and status. "This is not surprising," said a Harvard professor. "There is no private business that they might enter. The practice of law cannot be very appealing. What remains but science? In science a man can have an attractive living standard, and he does not have to commit himself politically...
...course, an irrepressible capitalist ("The Rolls is the only sports car I will drive in a Russian blizzard"), shows dangerous bourgeois-individualistic tendencies by riding her tricycle on the frozen Baltic, and utters subversive observations ("Everybody watches everybody in Moscow"). But she makes up for it by getting right into the thick of cultural exchange, playing chopsticks in F at Tchaikovsky Hall, and doing a "rawther unusual" ballet with three elderly snow sweepers, which cries out for Choreographer Jerome Robbins. The book's most remarkable character is Eloise's guide, Zhenka, who has a magnificently declarative style...