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Word: russias (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

...Carter '31, president, is as yet on leave of absence studying in Russia but production of the play will go on despite his absence...

Author: NO WRITER ATTRIBUTED | Title: CERCLE FRANCAIS WILL GIVE PLAY IN DECEMBER | 10/9/1929 | See Source »

...were it merely a case of "growing pains" in industry, not many people would regard the situation as a menace to American economic life. It is the shadowy connection with the Communist organizations of Russia that alarms the average American, and he sees in the Marion and Gastonia riots a threat of the violence that may spread to every section of our industrial life. The very thought of red Russian influence in American industry is a bugbear to the normal business...

Author: NO WRITER ATTRIBUTED | Title: RUSSIAN INFLUENCE | 10/8/1929 | See Source »

Basically antireligious, as was the French calendar of 1793, Soviet Dictator Josef Stalin counted heavily on this economic aspect of his "Eternal Calendar" to fulfill his promise to increase Russia's industrial production 35% in the next twelve months (TIME, Sept...

Author: /time Magazine | Title: Foreign News: Oneday, Twoday | 10/7/1929 | See Source »

Russians like sad stories, like the music of Peter Ilyitch Tchaikovsky. Hence in Russia, Pique-Dame is popular. Hence in Manhattan, last week, many a Russian went to the season's first performance by the Fine Arts Opera Company.* There Russian singers, singing in Russian, under the skilled baton of the Russian Jacques Samossoud found high favor. It mattered little to the Russian listeners that the opera is episodic and disjointed, lacking in theatrical unity; that Lisa's soprano (Eugenia Erminia Erganova) had a metallic edge and that Tenor Herman (Dimitri Criona) had to wheeze through a cold...

Author: /time Magazine | Title: Music: Pique-Dame | 10/7/1929 | See Source »

...Petersburg, made her reputation in Europe with this role, sang it in Manhattan 19 years ago at the U. S. premiére given at the Metropolitan Opera. Then her voice was so big and deep that she could even sing baritone airs, had done so once in Russia, as pinch-hitter for the hero in Rubinstein's Demon. Last week her countess was again a fearsome, palsied old hag in shawls; the voice, though thinner, still sure; and her presence the most compelling on the stage...

Author: /time Magazine | Title: Music: Pique-Dame | 10/7/1929 | See Source »

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