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Word: russias (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...socialist markets and one- party pluralism, he has directed one of the most transfixing spectacles of modern times: an encrusted political and economic system being brought, stumbling and blinking in amazement, into the light of a new era. In the tradition of Peter the Great, who opened up Russia to the West almost 300 years ago to rescue it from backwardness, Gorbachev is trying to transform, neither slowly nor surely, every aspect of his nation's political, economic and psychological life...

Author: /time Magazine | Title: The Union: A Long, Mighty Struggle | 4/10/1989 | See Source »

...says that votes for Yeltsin were votes against the establishment and Gorbachev. But doesn't Gorbachev represent change? "Who gives a damn about change when you can't buy cheese and aspirin anymore? They've had their circus. Now we want bread." Izvestia reports that when miners in southern Russia lined up for hours to wait for their pay packets, they began to jeer, "And this is perestroika...

Author: /time Magazine | Title: The Union: A Long, Mighty Struggle | 4/10/1989 | See Source »

MIKHAIL NESTEROV, Central Exhibition Hall, Moscow. Works of art -- some never before exhibited -- by Russian master Mikhail Nesterov (1862-1942), from the Tretyakov Gallery and Moscow private collections. Included is his Russia, the Soul of the People, symbolic of Russia's historical spiritual quest, depicting the religious philosopher Vladimir Solovyov and Leo Tolstoy walking along the banks of the Volga among multitudes of Russian people of different epochs...

Author: /time Magazine | Title: A Soviet Sampler | 4/10/1989 | See Source »

...single art event symbolized Russia's thawed relations to its own modernist past, it was the show at the Tretyakov Art Gallery in Moscow last winter by a painter and mystic who died in 1935, well into the Stalin era, and whose work remained buried for decades thereafter: Kasimir Malevich...

Author: /time Magazine | Title: Art: Canvases of Their Own | 4/10/1989 | See Source »

...that parallels Malevich's return to peasant themes in the 1920s, Stenberg has deepened his color and turned to images of a remote village where he spends part of his time: bare roads, cottages, grave markers, religious symbols like the fish and the Cross, all emblems of an ancient Russia that continues to exist below ideology...

Author: /time Magazine | Title: Art: Canvases of Their Own | 4/10/1989 | See Source »

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