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Nina Lahoud took the 115- to 125-lb. class, and Rian Smith won at 125- to 135-lbs. by default. Other winners were: Steve Hollman, middle heavyweight; Chris Ecker, light heavyweight; Robin Russin, light middle; and Lawton Cooper, welterweight...

Author: NO WRITER ATTRIBUTED | Title: Wristwrestling Draws Crowd | 3/17/1978 | See Source »

...Days, produced by Joseph M. Russin and Scott Blakey of San Francisco's KQED, is a tribute to more than one strong human spirit. Alice Stratton, trying to keep her hopes up while raising her three children, is also revealed as a woman of admirable courage. She deliberately minimizes the difficulties she faced; yet there is an extraordinary patience, sweetness and faith in her talk about the empty years carved out of the middle of her life...

Author: /time Magazine | Title: Television: Viewpoints | 7/8/1974 | See Source »

Robert J. Samuelson '67, president of the CRIMSON, and Joseph M. Russin '64, one of 92 past presidents, announced yesterday the victory of their teams in the annual CRIMSON undergraduate-alumni softball game, Rhesus J. Portfolio, long time CRIMSON mentor, assured reporters that "in any event, the final score...

Author: NO WRITER ATTRIBUTED | Title: That Same Old Story | 5/31/1966 | See Source »

...CRIMSON received honorable mention for two articles and an editorial in the CRIMSON on May 28, 1963, dealing with the termination of the appointment of Richard Alpert and the relief of Timothy F. Leary from further teaching duty. They are: Josiah L. Auspitz '63, of Philadelphia, Pa.; Joseph M. Russin, of Laramie, Wyo. and Dunster House; Michael W. Schwartz '63, of Great Neck, N.Y.; and Andrew T. Well '63, of Wyncote, Pa. and Winthrop House...

Author: NO WRITER ATTRIBUTED | Title: Goldfarb Wins Dana Prize; Crimeds Given Honorable Mention | 5/22/1964 | See Source »

...have no special competence to judge pictures, but only a few in this book (the lonely freshman crossing the Yard, the Weld boathouse in mist, Aggrey Awori jumping, and the extraordinary portraits of James Baldwin, Joe Russin, and A. Weil) struck me as exceptional. On examination, the nine pictures in the opening section "November 22, 1963" capture the grief of the moment only because of the headlines in two of them; otherwise, they simply show inarticulately a depression that does not point to anything. The rest of the pictures are standard and boring. Perhaps they are our images of Harvard...

Author: By Joel E. Cohen, | Title: Yearbook 328 | 5/19/1964 | See Source »

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