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Word: russolo (lookup in dictionary) (lookup stats)
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...decades, avant-garde art and rock and roll strove towards the common goal of social and political upheaval. Even prior to the creation of rock and roll, music and revolutionary art have made natural bedfellows. Five years before Marcel Duchamp drew a goatee on the Mona Lisa, Luigi Russolo and Babilla Pratella were accompanying traditional music with an orchestra and Pratella was accompanying traditional music with an orchestra of “Bruiteurs” that interrupted traditional compositions with grunts and hisses. The Bruiteurs shared the revolutionary spirit of the Dadaists, who believed that traditional cultural institutions, symbolic...

Author: By Thalia S. Field, CRIMSON STAFF WRITER | Title: Conceptual Art and Rock and Roll | 12/7/2001 | See Source »

Futurism made the most noise at the start. The futurist painters' manifestos of 1910, written by that inspired poet and arch-hypester Filippo T. Marinetti and signed by a clutch of brilliantly gifted artists (Giacomo Balla, Umberto Boccioni, Carlo Carra, Luigi Russolo and Gino Severini), declared war on cultural history -- "the enthusiasm for everything worm-eaten, rotting with filth, eaten away by time...

Author: /time Magazine | Title: Art: Raw Talk, but Cooked Painting | 4/3/1989 | See Source »

...movement took an aggressively internationalist stance, looking to a future world unified by technology. Yet its rhetoric was bedded deep in Italian life. The core of the futurist group, which coalesced in the early 1900s, was made up of the painters Umberto Boccioni, Carlo Carra, Giacomo Balla, Luigi Russolo and Gino Severini, the architect Antonio Sant'Elia and a few writers clustered around the figure of Marinetti, poet, dandy, ringmaster, publicist and red-hot explainer to the global village -- "the caffeine of Europe," as he called himself. They were all Italian; to be Italian then was to inherit a culture...

Author: /time Magazine | Title: Art: Kill the Moonlight! They Cried | 8/4/1986 | See Source »

...Burn the Museums!" Inspired by the Marinetti manifesto, a second appeared the next year signed by the painters Umberto Boccioni, Carlo Carrà, Luigi Russolo, Gino Severini and Giacomo Balla-futurism's big five. Among other things, it declared that THE NAME OF "MAD MAN" WITH WHICH IT IS ATTEMPTED TO GAG ALL INNOVATORS SHOULD BE LOOKED UPON AS A TITLE OF HONOR. The five themselves sounded a bit mad with anti-tradition slogans of "Burn the museums!" and "Drain the canals of Venice!" But their underlying purpose could not have been more serious. "We choose to concentrate...

Author: /time Magazine | Title: Art: The Intoxicated Five | 6/2/1961 | See Source »

Benches & Dreams. When three of the manifesto signers-Umberto Boccioni, Luigi Russolo and Carlo Carra-held a "Futurist Evening" in Turin, they set off a riot. In Bologna, Carra was nearly killed when an exasperated antifuturist hurled a bench at him, and in Treviso the three painters had to be rescued by the police from a mob. But the searing colors and frenzied designs of the futurists had their purpose: to depict not the surface world but the latent powers asleep within...

Author: /time Magazine | Title: Art: ON NATIVE GROUND | 7/11/1960 | See Source »

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