Word: rusticana
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...Composer Giacomo Puccini's realism of plot and tender score, the first performance of La Bohème was a success. The critics aloofly condemned Puccini for writing down to the mob. But there were 15 curtain calls. The great Giuseppe Verdi was notably absent, but Pietro (Cavalleria Rusticana) Mascagni and Ruggiero (Pagliacci) Leoncavallo, sitting in boxes, led the cheering. Tall, droop-mustached Giacomo Puccini, 37, tearfully embraced Toscanini. La Bohème, a work with a realistic human story,* has been one of the most popular operas ever since...
...Bomb-ravaged Berlin is having a brilliant opera season this year. Mozart's Don Giovanni and Magic Flute, Verdi's Simon Boccanegra, Otello and Rigoletto, Smetana's Bartered Bride, Mussorgsky's Boris Godunov, Leoncavallo's Pagliacci, Mascagni's Cavalleria Rusticana, Puccini's Girl of the Golden West, Hindemith's Cardillac and Gluck's Orpheus and Eurydice. There will be no Wagner this winter...
...brightest star of Victor's sky is the Met's Jugoslav-born soprano Zinka Mi-lanov. Her Pace, pace, mio Dio from La Forza del Destine and Voi lo sapete from Cavalleria Rusticana, helped by modern engineering, are improvements over most of the collectors' classics from the Golden Age. She also teams with the Met's Margaret Harshaw in a duet from Norma, and with Jan Peerce in the Miserere from // Trovatore. Others: Kerstin Thorborg, Blanche Thebom, Eleanor Steber, Alexander Kipnis...
...Todd (for A. Lincoln's boy) Duncan, 41, has never given up hope of getting into grand opera. After teaching music and English in Louisville (Ky.) City College and Washington's Howard University, he made his operatic debut in Manhattan in an all-Negro version of Cavalleria Rusticana. George Gershwin read the rave reviews, gave Baritone Duncan the lead in Porgy and Bess. He has since sung the part more than 1,200 times. He has also made concert tours, taught singing, had a key spot in Broadway's Cabin in the Sky, floundered through a jive...
...year-old John McCormack went off to Milan to study. Two years later he was on the Covent Garden stage himself, singing Cavalleria Rusticana. And in another two years he was a hit at Oscar Hammerstein's Manhattan Opera House. Critics still had reservations: they referred to him as "the best endowed lyric tenor of his time." Ah, but singing Kathleen Mavourneen or Irish Eyes when Al Smith or Jimmy Walker or any other good Irishman was about, he'd steal their hearts away...