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...SHOULD HAVE been obvious from the billing. "Rex O'Herihan," pronounced the ad for Rustler's Rhapsody. "To a lawless land he brought truth, justice, and some wonderful outfits." Okay, so the ad wasn't funny. Maybe the movie would be. Funny is just a frame of mind...

Author: By Christopher J. Farley, | Title: Rusty Rhapsody | 5/24/1985 | See Source »

There are only eight lodges in Alta and they're all on the lower side of the road--the only road leading in or out of the valley. The Alta Lodge, the Goldminer's Daughter, the Rustler, the Snow Pine--the Snow Pine was ours, cheapest of them all and at the end of the line. To get up to the road, we walked up a set of tunnel--like stairs. When you start, you can barely see the light. Below the lodges is the ski basin, rising from the basin is the ski area and behind the road...

Author: By Robert O. Boorstin, | Title: Snowbound in Utah | 12/8/1978 | See Source »

They blasted above the Snow Pine and the wooden walls shook again. But, up there at the end of the line, we were the lucky ones. The Rustler had lost its propane tanks and it's cold as hell in Utah in Decemberwhen there's not heat in the lodge. We were lucky to have heat but there wasn't much else to keep us happy during the four days and nights we spent underground in the Snow Pine. Forty--five people who you are getting kind of tired of, Joe and his wife, the chaperones and the Snow Pine...

Author: By Robert O. Boorstin, | Title: Snowbound in Utah | 12/8/1978 | See Source »

Australia, Advance Australia Fair and Waltzing Matilda (an uplifting dirge about the suicide of a sheep rustler). A choice was made by a poll (in which one-half of 1% of the population was selected to represent the nation as a whole). Advance Australia Fair was chosen as the anthem by a bare majority...

Author: /time Magazine | Title: AUSTRALIA: A Song to Forget | 4/29/1974 | See Source »

...minority of airbrush realists do explore one important problem of naturalism: how much information can a painted surface carry, and when does it start usurping the denseness of reality itself? California Artist Richard McLean's Rustler Charger (done from a black-and-white photo in a horse magazine) contains an unassimilable welter of detail, from the pebbles on the ground to the stitching on the girl's pants to the last speckle on the horse's coat. But, says McLean, 37, "it's not just a blown-up photo. I try to get a more heightened...

Author: /time Magazine | Title: Art: The Realist as Corn God | 1/31/1972 | See Source »

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