Word: ryans
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Dates: during 1960-1969
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Although it was made last year, The Big Bounce has the look and tone of films long gone. As the ex-G.I., Ryan O'Neal plays a character patently modeled on John Garfield and uses an acting style that owes much to James Dean. Leigh Taylor-Young appears-frequently without clothing-as the sort of character that James M. Cain used to write about, a homicidal bitch goddess who attracts and destroys men with appetites that do not stop at sex. It is obvious that Warner Bros, hoped to package two agreeable young stars in some tried...
...three years of varsity competition both Nayar and Hobbes have suffered only one defeat, Nayar against Scoot Ryan of Navy as a sophomore and Hobbes against Yale last year...
Coach Ned Harkness probably will not tamper with his two established lines, and will bring up instead one of the extra forwards. In that case, sophomore Brian McCutcheon and Bob Aitchison will team with junior Bob Giuliani on the second line, and Dick Bertrand, Bob McGuinn, and Garth Ryan make up an all-junior third line...
...pored over the documents but revisited the battlefields. He has interviewed soldiers from both sides and all echelons, from squad leaders up to Field Marshal Montgomery. For the human or Willie-and-Joe side of war, though, the reader will still have to go to the likes of Cornelius Ryan (The Last Battle). Eisenhower earned a master's degree in English from Columbia, while his father was university president, with a thesis on The Soldier as a Character in Elizabethan Drama. But no Pistols or Fluellens emerge here...
...Anne Ryan, a New Jersey collagist who died in 1954, at the age of 65, sometimes framed-or rather, mounted-her tiny, exquisite collages of fabrics and colored papers upon other bits of paper. Like visual haiku, they proclaim their sureness and their charm with an absolute economy of means. A sometime poetess and six times a grandmother, Ryan took to collage in 1948 after seeing an exhibition of the collages of the Dadaist Kurt Schwitters. Her own instincts led her toward ladylike materials: failles, polka-dot ginghams and tulles. Betty Parsons, the pioneering dealer whose gallery introduced abstract expressionism...