Word: ryder
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Dates: during 1960-1969
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...little over a century ago, in the bustling seaport of New Bedford, Mass., a man and a boy found a common interest. The boy, Albert Pinkham Ryder, the son of the town's jack-of-all-trades, was only eleven at the time. But town legend has it that every so often he would cross Mill Street to watch his neighbor Albert Bierstadt, 28, paint. In time, both left their home town to seek their fortunes as artists, but if their paths ever crossed after that, there is no record of it. Last week, as New Bedford...
Playwright Cross's desperate measures for keeping melodrama afloat at all costs and his not knowing that too many wrinkles spoil the plot sink what starts off as a good realistic thriller and what, as staged by Windsor Lewis and acted by Lloyd Nolan, Alfred Ryder and others, remains a good naturalistic production. Although to scratch any of the play's characters is to find a stereotype of stage and sea, their talk is effectively racy and their mutineering instincts show promise. The trouble, in the end, is that they mutiny on the author. The play closed...
...drips sand from the beach. Then he works in gobs of bright color with a palette knife, and finally glazes over most of the picture with more thin sheets of color. The results are physically as fragile, in all probability, as those of an earlier American romantic, Albert Pinkham Ryder. They look fragile, too, like reflections of rain clouds, seaweed, mud flats and ragged gardens in a misty mirror. In his wistful way, Kepes is pioneering in the cloudy abyss between abstraction and romantic nature-painting...
...from John Singleton Copley to Edward Hopper, realism seems the keynote of American art, and romanticism remains underrated. With the single exception of Albert Pinkham Ryder, the American romanticists have never achieved the fame of their realist contemporaries. To collect and cherish such little-known artists takes courage and personal conviction...
...Fleischman divides his working day among half a dozen enterprises, from carpet stores to hotels to Broadway productions, devotes his evenings and weekends to art. One of his proudest acquisitions is a painting by Ryder, the great est romantic of them all - a self-portrait painted about the age of 43. Parts of his collection have been shown in 15 countries, and Fleischman himself generally goes along to lecture. In his native Detroit, he is a sparkplug of Archives of American Art, an institution set up to gather artists' letters, recorded inter views and other research material. "Outside...