Word: ryder
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Dates: during 1990-1999
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...suit, filed in Middlesex County Superior Court on January 28 by Catherine McKay, also names former HSA member Scot H. Landry '92 and Ryder Truck Rental as defendants in the case...
...Dracula is the world's oldest man, he is also the first man of the modern sexual revolution, awakening the erotic impulse in young women like flirtatious Lucy (Sadie Frost) and chaste Mina (Winona Ryder). They have known only puppy love; now they will taste wolf lust. And yet Dr. Van Helsing (Anthony Hopkins), who would purge Dracula's spirit from their bodies, is working his white magic on the wrong subjects. Dracula is the cursed soul in need of exorcism. He has "come across oceans and time" to find it. And only Mina, the avatar of his dead wife...
Enter Winona Ryder's character, Mina, an English schoolteacher and the nineteenth-century reincarnation of the Transylvanian princess. Dracula's glimpse of her photograph sets the stage for the love story which drives the film. Although a monster, Dracula is a rather compelling romantic hero--top hat, John Lennon glasses and all. Oldman successfully evokes the quirky, bordering on psychotic, vulnerability he brought to other peculiar roles in "Sid and Nancy" and "Track...
Coppola skillfully plays his actors off of the typecasts we've come to expect of them. For instance, Dracula seems all the more seductive for the fact that Keanu Reeves, the would-be romantic lead, is such a milquetoast. Ryder, after whetting our appetites in "Beetle-juice" and "Heathers," is the vamp we've always wanted her to be. And Anthony Hopkins, who claims not to have brought Hannibal Lecter to bear on his role as Dracula's off-kilter nemesis Dr. Van Helsing, nevertheless gives us a few sparkling moments of Lecteresque macabre humor...
...problem here is that the stories, characters and acting rarely justify even feuilleton treatment. The Hollywood agent (Gena Rowlands) who thinks her driver (Winona Ryder) could be a star; the Brooklyn bro (Giancarlo Esposito) who bonds with his German-born cabbie (Armin Mueller-Stahl); the blind Parisian (Beatrice Dalle) who, sigh, sees life more clearly than the African (Isaach De Bankole) in the front seat; the Finnish depressive (Matti Pellonpaa) who relates a you-think-you-got-troubles saga -- these are shaggy- dog stories without a tail. Or, really, a tale...