Word: ryders
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Dates: during 1960-1969
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...local School Superintendent, Ralph Ryder, described Tom Marino as "an outstanding teacher," and I suspect he is right. It would be hard to come up with three books more suitable than these for engaging and stretching the minds of today's high-school teenagers. What a far cry this is from the bland pap and drivel-such as the verse of Edgar Guest-that I had to study (and memorize!) when attending high school in Maine some years ago. I am sorry I didn't have as sage an English teacher as Mr. Marino, and Telstar High should regret that...
...result was the formation of a Book Review Committee, consisting of four members and two advisors (including Supt. Ryder). Last spring the Committee issued an official report of its activities and findings. The Committee decided to meet with members of the Telstar English Department in order to elicit its educational philosophy. They learned that the teachers viewed their task not as one of "getting students to memorize rules of grammar and traditional pieces of valued poetry," but rather as one of trying to "have students exposed to differing ideas and value systems in an effort to have them arrive...
...beside me had left two events before, when it was still exciting. Then, a few minutes later, the people in front of me started leaning forward, even though it had become less exciting. I considered taking off my shirt and throwing it somewhere, but I remembered seeing Ryder do that at a Murray the K Show and figured that wouldn't be too good idea. I was content to keep smelling...
American Painting: From its Beginnings to the Armory Show by Jules David Prown; The Twentieth Century by Barbara Rose. 269 pages. 2 vols. Skira. $50. How and why American art developed from West and Copley through Homer and Ryder to Pollock, De Kooning and Warhol. With anecdotes about each painter, these companion volumes provide a wieldy and informative analysis of art technique in relation to the nation's history...
...proud display in the N.C.F.A.'s new gallery, the paintings are suffused with something approximating their original unearthly aura, a weird kind of radiant half-light that Ryder thought of as "golden luminosity." It floods across the two foreground figures in Christ Appearing to Mary, painted about 1885. It pulses in the background of The Flying Dutchman, which shows the phantom ship gliding across the horizon behind an open boat manned by three storm-tossed mariners. As Ryder remarked: "What avails a storm cloud accurate in form and color if the storm is not therein?" In this painting...