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Word: rysanek (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Against such scenic showmanship, Veteran Soprano Leonie Rysanek held her own, reaffirming the belief of many critics that she is the world's greatest interpreter of the role. New Zealander Donald Mclntyre, who was impressive last year as Barak in Richard Strauss's Die Frau ohne Schatten at Covent Garden, used his deep baritone voice as an apocalyptic Dutchman. Alabama-born Tenor Jean Cox, as Erik, successfully followed Everding's instructions to behave as if he were "the only normal human being in the action...

Author: /time Magazine | Title: Opera: High-Flying Dutchman | 8/15/1969 | See Source »

...Ringstrasse. One of the city's favorite visitors, Leonard Bernstein, opened the festivities with a stunning performance of Beethoven's Missa Solemnis. Next evening Karl Böhm conducted Beethoven's Fidelia, with a cast that included American Tenor Jess Thomas and Soprano Leonie Rysanek of New York's Metropolitan Opera. The week's musical highlight was undoubtedly Mozart's Don Giovanni, which was performed on the gala May night in 1869 when the Emperor Franz Josef presided over the opening of the huge sandstone operatic palace. In the pit last week was Conductor...

Author: /time Magazine | Title: Opera: Centennial of a Shrine | 6/6/1969 | See Source »

...cultures in order to be fathomed, moves murkily between the spirit world, the human world of an impoverished dyer and his sensuous wife (Baritone Walter Berry and Soprano Christa Ludwig), and the go-between world of an emperor and his wife (Tenor James King and Soprano Leonie Rysanek). The empress, alas, is without a shadow-she cannot bear children-and with the aid of a Mephistophelean nurse (Mezzo-Soprano Irene Dalis) she attempts to divest the dyer's wife of her shadow with promises of riches. In the end, after wading knee-deep through a quagmire of symbolism...

Author: /time Magazine | Title: Opera: Bright Shadow | 10/14/1966 | See Source »

...mmerung through abstract-mobile backgrounds created by light projections with only the minimum of necessary realism: an oppressive Mycenaean Valhalla and a Gibichungen hall studded with hundreds of bleached animal skulls. A cast headed by Birgit Nilsson, Wolfgang Windgassen, Theo Adam, James King, Anja Silja, Lili Chookasian and Leonie Rysanek responded to Wieland's direction with magnificent singing. Under the baton of Conductor Karl Boehm, the orchestra became accompaniment and comment, echo and counterpoint of each gesture onstage...

Author: /time Magazine | Title: Opera: A Freudian Ring | 8/6/1965 | See Source »

...Erich Leinsdorf to the contrary notwithstanding [Aug. 23], we have more first-class Wagnerian singers now than we had in the Melchior-Flagstad era. In the last few years the Metropolitan Opera has offered us such topnotch artists as Birgit Nilsson, Leonie Rysanek, Gladys Kuchta, Inge Bjoner, Regine Crespin and Anita Valkki, sopranos; Jon Vickers, Sandor Konya and Jess Thomas, tenors; Jean Madeira, Nell Rankin and Irene Dalis, mezzos; George London, Hermann Prey, Walter Cassel and Eberhardt Wachter, baritones; and Jerome Hines, Giorgio Tozzi and William Wilderman, bassos...

Author: /time Magazine | Title: Letters: Aug. 30, 1963 | 8/30/1963 | See Source »

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