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...work something out with someone as brazen as Parker. Unfazed by the mob-wide surge for skippy techno, she announced her hatred of Fatboy Slim to the media (market self-sabotage--how will the masses relate?). Just as untimid in her work, she had Depeche Mode, Lamb, the Orb, Ryuichi Sakamoto and Steve Reich come under remixing at her hands before she began work on Kiss My Arp, her full-length debut. A session vocalist and classically trained cellist, Parker's Kiss (much anticipated after her glowing addition to the 1998 DJ Kicks series) brings her talents together...

Author: By Phua MEI Pin, CRIMSON STAFF WRITER | Title: Album Review: Andrea Parker | 11/12/1999 | See Source »

...Games of the 25th Olympiad. The occasion was a golden opportunity for presenting the city as a shiny new capital of a postnational world. It was also a quadrilingual glimpse into a multicultural future. Music at the celebrations that opened the Games came from an atlas of names -- Ryuichi Sakamoto, Angelo Badalamenti (of Twin Peaks fame), Andrew Lloyd Webber; Placido Domingo was followed by a sea of "living sculptures" designed by a man from the West Indies. And some of the grandest cheers of all came as the unfamiliar Lithuanian flag hung over costumes fashioned by Issey Miyake...

Author: /time Magazine | Title: Benvinguts to the Catalan Games! | 8/3/1992 | See Source »

...RYUICHI SAKAMOTO: BEAUTY (Virgin). "Does a rose lose its color in the rain?" Well, maybe the lyrics lose in the translation. The music, by a Japanese master of melodic anagrams, comes through with finesse and eerie command. Guest appearances by Brian Wilson and Robbie Robertson, among others, contribute to the congenial oddness...

Author: /time Magazine | Title: Critics' Voices: Jul. 23, 1990 | 7/23/1990 | See Source »

...rock group Tangerine Dream. Two of Private Music's early releases are among the best New Age albums so far: Rock Violinist Jerry Goodman's high-flying On the Future of Aviation and the anthology Piano One, which features hypnotic solo performances by Jobson and Japan's Ryuichi Sakamoto, among others. "I like to ; describe the music as very visual," says the Berlin-born Baumann. "One important aspect is the absence of lyrics, which gives the listener a much wider range of associations...

Author: /time Magazine | Title: Music: New Age Comes of Age | 9/1/1986 | See Source »

...performances are tense and knowing, including that of Ryuichi Sakamoto, who plays the young captain (he also composed the film's haunting score). But the Merry Christmas catalogue of atrocities finally becomes numbing, even udicrous. Oshima describes the wartime Japanese as ''a nation of anxious people who could do nothing individually-so they went mad en masse." Alas, he does not explain that madness; he only puts it on horrific display. -By Richard Corliss

Author: /time Magazine | Title: Cinema: Stout Hearts | 9/12/1983 | See Source »

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