Word: saarinen
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...First Prize in the architectural competition fared no better. It was nothing short of scandalous to award the prize to Eero Saarinen's Chapel at M.I.T. for "the strongest statement in terms of structure and space enclosure for its purpose." Although the interior has many praiseworthy features, the exterior is one of the chief eyesores of Cambridge--an ugly brick storage tank with foully proportioned arches set into it (see cut). Compare with it, for example, the Mexico City church erected several years earlier and shown in the other cut. The basic idea (which Saarinen thought original with...
...Finnish-born Eero Saarinen, 45, the Grand Architectural Award, at the Boston Arts Festival, for his design of the Massachusetts Institute of Technology chapel (TIME, June 29, 1953, et seq.), as "the strongest statement in terms of structure and space enclosure for its purpose . . . sensitivity to the use of materials and detail follow-through...
...prizes given to U.S. architects for buildings of the year are the annual awards of the 11,000-member American Institute of Architects. To pick this year's winners, a jury of five topflight architects, including Eero Saarinen (TIME, March 19) and Pietro Belluschi, dean of M.I.T.'s School of Architecture, thumbed through more than 200 sets of plans and photographs before they made their choice. The runaway winners, announced in Washington this week: the San Francisco firm of Wurster, Bernardi & Emmons, which not only got a First Honor Award for its $258,000 "Thinkers' Shangri...
...Saarinen's design was selected from among plans submitted by eight leading U.S. architectural firms. The problem set by the State Department's Foreign Buildings Operations: design a building "which is distinguished and will reflect credit on the United States," yet remain "appropriate to the site and country." Surveying the site during a trip to London last year, Saarinen (whose most recent projects have been General Motors' $68 million Technical Center in Detroit and M.I.T.'s tricornered Kresge Auditorium and cylindrical chapel-TIME, Dec. 5) decided to scale his building to the proportions of the square...
...London struck me as a city of black and white," Saarinen says. To emphasize the play of light and shadow across the broad, 330-ft. façade, he worked out a structural grill that takes its rhythm from the window spacing of surrounding Georgian structures. For his major material Saarinen chose white Portland stone, traditional both in London's official buildings and as ornament on private brick dwellings. To sharpen the black and white contrast, he used black oxidized bronze for a decorative frieze of state seals between the first and second floors and for a great seal...