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...tabloids quickly dubbed her "Moan-ica" and demanded, "Stop that grunt!" One writer, claiming to have monitored her with a "gruntometer," said the noises coming out of the 18-year-old registered 93 decibels, about what a diesel train would produce. The grunts emitted by Gabriela Sabatini and Jennifer Capriati were deemed dulcet whimpers compared with Monica's. Countered Seles: "I don't think I'm going to win a match because I'm grunting...

Author: /time Magazine | Title: Stop That Grunt! | 7/13/1992 | See Source »

...less well compensated, are not usually subject to the same degree of temptation as are men -- though much of that may have to do with a lingering double standard. "A guy can go out to a bar, have a beer, talk to the bartender," says tennis star Gabriela Sabatini's coach, Carlos Kirmayr. "But if you are a woman alone in a strange town, you are usually stuck in a hotel by yourself...

Author: /time Magazine | Title: The Dangerous World of Wannabes | 11/25/1991 | See Source »

Bernardo L. Sabatini...

Author: NO WRITER ATTRIBUTED | Title: Congratulations to The Crimson's Class of 1991 | 6/6/1991 | See Source »

...assembled a talented if not superstar ensemble around Brando, and it is certainly not on their account that Brando overpowers the film. Broderick possesse a natural comic timing, and is perfect in his role as the naive New Englander. Kirby, too, is excellent in his role, extremely convincing as Sabatini's slightly slimy go-fernephew. Miller slips in and out of her horribly affected Queens accent but is well suited to her character, effectively portraying the spoiled self-consciousness one might expect from the mafia princess. And Academy Award-winning actor Schell is strangely engaging as the quirky eccentric chef...

Author: By Garrett A. Price iii, | Title: Mafioso Brando Tramples Quirky Comedy | 8/3/1990 | See Source »

Fortunately, The Freshman possesses another subtext that thrives on the power of Brando's acting. On one level, The Freshman is about the father-son relationship between Sabatini, who never had a son, and Kellogg, whose father died when he was six. This would be an utterly ordinary thesis in most films, but the force of Brando's potrayal of the paternalistic Sabatini and Broderick's capable rendering of the All-American rural innocent provide The Freshman with convincing human impact. Just as The Godfather succeeds largely because it was able to make the family life of the murdering, lawbreaking...

Author: By Garrett A. Price iii, | Title: Mafioso Brando Tramples Quirky Comedy | 8/3/1990 | See Source »

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