Word: sabrinas
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...Citystep troupe, directed by Sabrina T. Peck '84 and produced by Catherine T. Davidson '85, is the first undergraduate ensemble to participate in the American Repetory Theater's (ART) Monday night series...
...itinerant hound-dog and pocketknife trader, gets to town every third Monday. His pickup truck in Ruby's driveway is "as startling as the sight of the 'Action News' TV van." And she hopes the neighbors will take it as a sign of her modern outlook. Sabrina, 20, has a small part in a regional production of Oklahoma! Edwin, the man she lives with, is 43 and drives a bus for retarded adults whom he entertains with music tapes and disc-jockey patter...
...Wave Format," the story of Sabrina and Edwin, Mason rarely says more than is necessary to convey what Hemingway called "the real thing, the sequence of motion and fact which made the emotion." Sabrina's enthusiasms, her fennel toothpaste and herbal deodorant, leave Edwin amazed and uneasy. Self-knowledge comes hard. He dimly recalls his knockabout past and realizes that he has not been an adventurer but "has gone through life rather blindly, without much pain or sense of loss." Only on his bus is he in complete control, jolting his handicapped audience with Jim Morrison's Light...
...concrete and vivid; when characters speak from within the set a maze of scaffolding covering the back wall, skillful lighting and mime make their spaces substantive rather than symbolic. Rather than trying to fill the vast mainstage with gimmickry--as direction after director has done--Magaril and choreographer Sabrina Peck simply fill it. Good blocking spreads actors to keep the open spaces under control. The full-company numbers sparkles with movement, much of it painstakingly researched to mirror actual on-the-job motions, an astonishing proportion of it in synch. And in Magaril's boldest visual effect, four-foot-square...
...across The Bridge on the River Kwai. He was equally at home on the range, leading The Wild Bunch to one last dustup with destiny. Moving and speaking with the languid grace of inherited wealth (his father ran a chemical business), he wooed Audrey Hepburn into maturity in Sabrina and shepherded Gloria Swanson through the gaudy dementia of Sunset Boulevard. His easy sexual authority dared women to try to impress him. One who did, Kim Novak, made film history with Holden: their slow dance in Picnic (1956) remains an electrifying expression of romantic passion. In the '60s, Holden found...