Word: sabrinas
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...demands, adding just the appropriate amount of vulgar. Her flawless technique and assured assimilation of the role originated by Patricia McBride was aided by James Whiteside’s able partnering. Whiteside later appeared in “Ein Von Viel,” a modern ballet choreographed by Sabrina Matthews whose main innovation was bringing a grande piano onstage and a brilliant musician, Freda Locker, to sit at it.The piece d’occasion fared much better. Set to Chopin, “Rhyme”—a world premiere choreographed by Viktor Plotnikov—began...
...beliefs, people, holidays, and scriptures of their religion. No student was allowed to answer a question concerning his or her own religion.“I was very pleasantly surprised by how many facts—some obscure—students knew about other faiths,” said Sabrina A. Zearott ’09, the council’s publicity chair. “I didn’t realize how aware Harvard students are of other faiths.”Zearott herself answered one such obscure question, when the moderator asked for “the name...
...blessing and a curse: he?s got the perfect romantic-comedy skills, but he?s in the one decade when the genre isn?t flourishing. Fred MacMurray, Ray Milland and many lesser lights built long careers without the charm Kinnear has shown in As Good As It Gets, Sabrina, Nurse Betty and Feast of Love. His appeal is an anachronism; perhaps he should go back to playing the suburban sexaholic he did in Autofocus. Or maybe his domesticated grace is more suited for a high-quality sitcom...
...hear their testimony and see the evidence--of detainees made to wear panties on their heads or leashed like dogs--is harrowing and haunting. It's also spooky how poised and telegenic the perps are; two, Javal Davis and Sabrina Harman, could easily fit into the cast of The O.C. But the ultimate anomaly of Morris' movie is how closely the story mirrors Hollywood melodrama...
...Sabrina Matthews’ choreography was also intensely aware of the creative process. Her piece, entitled “Ein von Viel”—which translates to “one of many”—was a male duet set to selections from J.S. Bach’s “The Goldberg Variations.” The use of an onstage pianist, Freda Locker, was successful; the dancers incorporated but never overshadowed her playing. During brief moments of silence, they would subtly communicate with a nod of the head or a shared sense...