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Word: sack (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...traffic violation and driving without a license. Last week he had another round with St. Louis cops. Spotted driving into a restaurant parking lot at 4 a.m. with the lights out, Spinks was stopped by police. Again, no license could be produced. Worse, police found a small sack containing white powder tucked in Spinks' hat, which he tossed on the roof of his car while he was being questioned. The hero of fisticuffs was then snapped into handcuffs to be investigated for possible drug violations...

Author: /time Magazine | Title: People, May 1, 1978 | 5/1/1978 | See Source »

...anti-Nazi Resistance in eastern France, using many aliases including the one that stuck: Abbé Pierre. Among other exploits, he carried Charles de Gaulle's ailing brother Jacques across the frontier to safety in Switzerland. Later he himself was smuggled into Algeria in a mail sack, carrying a plea for arms intended for Churchill...

Author: /time Magazine | Title: Religion: The Quiet Miracle of Emmaus | 4/10/1978 | See Source »

...also took the full-page photo of Tiegs that appears on page 51) show why she is a rarity. One has the model facing the camera in a wet, white fishnet suit that is, of course, transparent. Her full breasts show clearly. Most women would look like a sack of potatoes in this suit, and most models would look like a half-empty sack of potatoes. Tiegs' body is awesome, and her face is so fine and strong and unembarrassed that questions of taste do not arise...

Author: /time Magazine | Title: The All-American Model | 3/6/1978 | See Source »

...CREATIVE PROCESS, in Jacob Bronowski's view, is a matter of perceiving profound unity in apparent unlikeness. Perhaps it is a measure of a choreographer's genius that he can sustain with a sense of humor and discovery a suggested equivalence between a dancer and a stuffed sack...

Author: By Jurretta J. Heckscher, | Title: The Eloquence of Gesture | 3/6/1978 | See Source »

This is exactly what happens in "Squaregame," one of seven dances offered by avant-garde master Merce Cunningham and his company in performances at Boston English High School last week. The four bunches of sacks which initially define the peripheries of movement become tongue-in-cheek metaphors for the dancers' own bodies. The sacks are whirled or swung or tossed through space; Cunningham himself falls dead-weight on a group of dancers and is dragged across the floor like a sack; later, he is tossed up and down between two dancers the way two children would flip an unwieldy pillow...

Author: By Jurretta J. Heckscher, | Title: The Eloquence of Gesture | 3/6/1978 | See Source »

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