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...those suffering from a deep seated nostalgia for the furniture, music, and clothing of the 1930's, the technical staff (David Sackeroff and Mary Harkins) has outdone itself with the assistance of several of Boston's antique stores and collectors. The uncluttered sets, a French summer hotel terrace and a Paris flat, are well-designed, lighted, and integrated into the Tufts theater-in-the-round. The sets' simple, though exactingly realistic, design coupled with the constant turning and motion of the actors take maximum advantage of the theater's comfortable environment. The props were perhaps too realistic: at the play...

Author: By Martin Kernberg, | Title: Taking Up a Coward's Gauntlet | 7/9/1974 | See Source »

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