Word: sackful
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Dates: during 2000-2009
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...first act takes place in Africa during the Victorian era, as Clive (Daniel A. Cozzens ’03), the British Empire’s steward in the Dark Continent, and his wife Betty (played by male actor Graham A. Sack ’03) try to preserve family, empire and Victorian mores...
...this way, but, as an outsider to politics and to the communist system, he's simply not very clever at it. For Beijing, he is as frustrating as one of those airport trolleys with a bad wheel that won't push straight. Yet Beijing's rulers cannot afford to sack Tung or even to accept his resignation: that would be an acknowledgment that they picked the wrong guy for the job, and it would also undermine the fiction that China does not meddle in Hong Kong's affairs. A reliable source tells me that when Chinese Premier Wen Jiabao visited...
...black market and at the Christie's auction house in Hong Kong, according to police. (Christie's says it researched ownership and found no evidence that the pieces were stolen.) Li was allegedly a classic bag man, removing the items one at a time in a sack. When authorities raided his home in December, they found that it "looked like a museum inside," recalls one Chengde police official. Although corrupt museum officials and tomb-raiding peasants face periodic crackdowns?and occasionally even the death sentence?countless stolen relics still flow out of China each year. Other antiquities that have circulated...
Always be willing to pull the trigger and bite the bullet. Opportunities for ass can come anywhere and at any time. You’ll be in the pit, hacking the sack with some hobos, and a slum-honey glory-girl with ink all over her grill will come up to you begging for something erect. It’s your obligation to tell her, “I know I go to Harvard, but this Ivory Tower’s looking for any old hunchback that’ll ring my bell!” Clever shit like that...
...sense of self, and transform itself into a means of affirmation. Julia Pascal’s play-within-a-play, The Dybbuk, explores this perpetual haunting through the lens of modern Jewish identity, in a stark, powerful and moving production, directed in the Loeb Experimental Theater by Graham A. Sack...