Word: sacrosanctity
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...determine when a "cult" becomes a religion, especially in a land where freedom of religion is sacrosanct? My Random House unabridged dictionary defines cult as "a particular system of religious worship" and then, seven lines later, as "a religion or sect considered to be false, unorthodox or extremist." A cult, in other words, is a religion and isn't one, depending on who's looking...
Albright's discipline and assiduousness, she says, came from her father. Josef Korbel was a formal man, a statesman turned professor, who learned to ski wearing his topcoat and tie. "He was a strict European parent," says John. Family routines were sacrosanct. Children were expected to be at the dinner table on time. "The most severe form of punishment was when our father wouldn't talk to us for a week." When Madeleine was invited to the prom in ninth grade, it triggered a family fight over whether she would be allowed to ride...
...thinking and reasoning that Objectivists claim to rely on goes, why is it that all an Objectivist can do to make an argument is say "Ayn Rand said such and such?" Where is the free thought? No where, it seems. It's all about whatever Rand wrote in her sacrosanct texts. They claim to have eschewed gods (which is fine) but have really put another in their place--Rand. Where is the reason behind the unwavering support for whatever Rand wrote? Nowhere, for it does not exist...
This doesn't excuse the Japanese, it just throws a particularly nasty light on the goings-on at Fort Leonard Wood and the Aberdeen Proving Ground. Generally speaking, sexual abuse is visited on women of the other side. One's own women are supposed to be sacrosanct; in fact, the most hallowed argument against having women in combat is that our men would be so busy protecting them that they wouldn't have time to do any serious fighting. When U.S. troops marched to the chant, "Two, four, six, eight,/ Rape, kill, mutilate"--which they did until well into...
...there, or has there ever been, a modern American artist with a more peculiarly sacrosanct reputation than Jasper Johns? If so, none spring to mind. Johns' current retrospective of 225 paintings, drawings, prints and sculptures at New York City's Museum of Modern Art has all the air of a cult event. This is not the fault of the curator, Kirk Varnedoe, who has done an exemplary job of hanging the show and, without resorting to the usual pseudo-philosophical guff that attends critical discussion of Johns, describing and analyzing his work in the catalog. Rather, it seems immovably built...